I deeply thank the following persons (in alphabethical order) who, by their kindness, musicianship, efforts and patience, made this research possible :

 

Stefan Blonk, horn player

Johannes Boer, head of the Early Music Department, Royal Conservatory of The Hague

Francisca Branco, soprano, with whom I had an intense training in facing deception

Michael Latcham

Luc Henrion, sound engineer

Milly van Houten-de Kom, curator in Den Haag Kunstmuseum

Ulrich Hübner, horn player

John Humphries, horn player

Vojtech Jakl, violin player

Michal Klas, violin player

Lucka Krajcirovicova, viola player

Vaclav Luks, horn player and conductor

Frantisek Maly, curator of the music instruments collection of Jevisovice Castle, Czech rep.

Claude Maury, horn player

Anders Muskens, pianofortist, who completed Mozart's fragment in E

Bart van Oort, pianofortist, tutor for this research

Michal Raitmajer, cellist

Alain Roudier, pianofortist and organologist

Luce Roudier, French literature

Barbara Willi, harpsichordist / pianofortist and teacher in Brno, Czech rep., to whom I owe more than words can say

Teunis van der Zwart, horn teacher

Acknowledgements