Werk/Piece „N.N-Zwischenliegend“–non-calculable space, Time and Body
Thema:
Grenz (Border)
Leitmotiv:
Gleichgültigkeit
The story consists of the cognition of individuals for their experiences, which is not a collection of individual opinions. My aim is for a soundtrack as a sound composition that is logical and unlogic of time, space and body through the individual cognitions in the languages.
Practical question is, for example, the collection of individual stories in social media, is it evidence of our society or democratic collective opinion? How does AI collect individual information and how does AI recognize morphologically? and how do we recognize and systematize those individual pieces of information?
My artistic challenging was thereby how I can deal with philosophical notion from the current notion of the science.
The sonic sound itself, what we can perceive through the sound?
Is it interactive with the story tellings?
What is Gender and Sound?
What is time and space for auditory sense?
Meine künstlerische Idee und Bedürfnis dabei waren für auditory 'Mural' zu gestallten, auf der Subjekt 'fortune' (Schicksal), das Leben zwischen Ideologien (Berliner Mauer).
Als ich über diese Idee nach visuelle Ästhetik der Gestaltung auf der auditiven Ebene gedacht habe, habe ich doch über Weltanschauung nach gedacht, allerdings, aus der Sicht von sowie Merz-Ästhetik in Bezug auf " eine Philosophie des Widerspruchs" (Wiesing,1991).
Warum jetzt in 2020 wollte ich das machen, um zu repräsentieren?
- Ich sehe nicht, dass das Welt-Problem (Konflikt) heute anders ist. Sondern ist es genau so wie damals.
The fact that we cannot manage to achieve more than an unstable grasp of reality doubtless gives the measure of our present alienation: we constantly drift between the object and its demystification, powerless to render its wholeness. For if we penetrate the object, we liberate it but we destroy it; and if we acknowledge its full weight, we respect it, but we restore it to a state which is still mystified. It would seem that we are condemned for some time yet always to speak excessively about reality. This is probably because ideologism and its opposite are types of behaviour which are still magical, terrorized, blinded and fascinated by the split in the social world. And yet, this is what we must seek: a reconciliation between reality and men, between description and explanation, between object and knowledge. (Barthes, 1957/1972)1