End of PART I: Whistling in Lidingö overlapping with PART II:
Voice And Live Electronics: The Strophonion featuring Untitled #3 (28:35)
Unabridged Video Documentation Of Final Solo Performance
Reaktorhallen Stockholm (KTH)
13 December 2018
- 00:18
Welcome speech
- 14:03
Whistling with Seagulls, Ocean and Wind
(Video)
- 18:36
Untitled #2
For voice solo
- 22:04
Mundfundstücke: Das Konsonantenvokabular
(Video)
- 30:41
Now I will do nothing but listen...
For countertenor
- 33:11
Mönche am Meer: Eine konsonantische Auflösung
For voice and video
- 00:49
'This text would rather be performed than read.'
- 02:33
Panache
(Video featuring voice solo)
- 03:55
'In order to define the notion of the extended voice…'
- 04:51
Playing with Panache
(Video featuring voice and strophonion)
- 06:45
The strophonion is a wireless, gesture-controlled digital musical instrument…'
For whispered voice
- 07:50
'The multivocal voice shows responsibility not only for one, but for many voices…'
- 09:26
'Art is the setting-itself-to-work of truth.' (Martin Heidegger) / 'Embracing the it - status'
- 13:15
Untitled
(Video featuring voice and strophonion)
- 16:25
'One basic prerequisite for attaining a multivocal voice is to sharpen its control mechanisms, its cybernetics…'
- 21:10
Nono said: 'Infinite readiness for the surprising, the unusual, the questioning…'
For whispered voice and contact microphone on cheek
- 22:14
The attempt to blend into each other the normal singing voice with the Kargyraa technique…
For voice solo
- 24:14
Towards Homo Mundi
- 26:09
Inwards: Multiphonics produced on ingressive airflow
For voice solo
- 27:20
'In case of the lower lip whistling…'
- 28:29
Searching the Magpie
'Video featuring the whistling voice and potential birds'
- 31:42
'The methodological foundation of the multivocal voice is in fact the exchanging drive to play with other multi-attunements (Vielgestimmtheiten)…'
- 34:08
Homo Mundi
For countertenor solo
- 36:05
'In conclusion, the work on the multivocal voice is characterised by remembrance work…'