Monsters I Love: On Multivocal Arts

Alex Nowitz

Proposing a ‘multivocal practice’ in the vocal arts, this exposition (documented artistic research project) embodies an inclusive approach to four core categories for the contemporary performance voice: the singing, speaking, extended and disembodied voice. The culmination of a four-year PhD project in Artistic Practices (Performative and Mediated Practices, with specialisations in choreography/film and media/opera /performing arts), it documents artistic research sub-projects through the presentation of multimedia material, interweaving performance recordings with reflective and contextualising texts. Multivocality addresses various models of virtuosity, all of which are informed by a multi-faceted artistic knowledge, whether experimental or experiential, technical or technological, improvisational or compositional. Contemporary vocal performance practices are loaded by questions pertaining to detecting and solving technical issues that span the vocal domains. Through a range of artistic practices—vocal, oral, bodily and technology-related—the research project unfolds what is conceived as a bountiful ‘vocal imaginary’. When voice and body meet technology-related practices that aim at the expansion of the vocal realm by using custom and gesture-controlled live electronics, a performance æsthetics of the in-between emerges. This is explored via the ‘strophonion’, formerly built at STEIM in Amsterdam and, during the course of the PhD, further developed by Berlin-based software programmer Sukandar Kartadinata who created an intricate configuration on the basis of the audio processing application Max/MSP. Through the formulation and performance of ‘The Manifesto for the Multivocal Voice’—a ‘discursive solo performance act’ that aims to provide insights into principles and premises, and to develop the discourse on the politics of today’s performance voice—the exposition attempts to establish a potential theoretical and philosophical grounding for multivocality. Its second major concern relates to the poetics of the voice, investigating the thresholds of highly individualised vocal practices by asking: what are the boundaries of the contemporary performance voice? The exposition (on the Research Catalogue) comprises video and audio documentation of public live performances, lectures and artists’ talks as well as studio productions and rehearsals. The user is invited to study scores and various texts, such as poems, extended programme notes, translations, performance instructions, comments and other reflections. The collection of essays and articles that guide the user through the edifice of ideas that the artistic research project has unveiled remains central to the endeavour.

INTERACTIONS WITH ALLIES

Tracing moments of intersubjectivity among collaborators

1. Goldbergtangenten

for piano, voice, electronics and turntable

(documentation of a public performance)

Text: Der Untergeher [The Looser] by Thomas Bernhard

A project by German Jazz piano player Michael Wollny together with British electronic musician Leafcutter John and Alex Nowitz

Exposure of the Spaces In-Between Speech, Sound and Music
Or how to dissolve the genre-typical boundaries (Reading and Concert, Hörspiel and Musical Theatre)

(incl. slides: translate!)

The video divided in three parts documents the concert at the Konzerthaus Dortmund in 2017.

2. Now now: Meeting amid sounds of resistance
A duet of improvised music by Jon Rose and Alex Nowitz on the Now now festival in Sydney, January 2015

(documentation of a public performance)

3. The Asterina Project

for voice and strophonion, flutes and contrabass clarinet (Berlin)

(documentation of studio performances)

Field-testing the practice of sampling the other through musical improvisation

4. Ties and Bonds

Practicing dialogue between extended vocal art and dance, exploring interdisciplinary approach to artistic research for dance and voice

(trailer documentation of a public performance of Dr. D. meets Dr. V. in Berlin)

Ties and Bonds is the continuation project of Dr. D meets Dr. V. by dancer Susanne Martin and Alex Nowitz who will be resuming the collaboration on the occasion of the artistic research conference Alliances&Commonalities at the Stockholm University of the Arts in October 2018.

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INTERACTIONS WITH ALLIES