Moving Early Music: Improvisation and the Work-Concept in Seventeenth-Century French Keyboard Performance
In search of a politesse du chant: Rediscovering salon vocal performance practice through the lens of the airs sérieux in the Recueils d'airs serieux et à boire de differents autheurs, 1695-1699
The Palestinian Music-Making Experience in the West Bank, 1920s to 1959: Nationalism, Colonialism, and Identity
Emlyn Stam
In Search of A Lost Language: Performing in Early-Recorded Style in Viola and String Quartet Repertoires
The 'cello' in the Low Countries- The instrument and its practical use in the 17th and 18th centuries
Andrew Wright
The polyphonic touch : coarticulation and polyphonic expression in the performance of piano and organ music
On the origin of patterning in movable Latin type : Renaissance standardisation, systematisation, and unitisation of textura and roman type
Repertoire for a Swedish Bassoon Virtuoso. Approaching early nineteenth-century works composed for Frans Preumayr with an original Grenser & Wiesner bassoon
Creating and Re-creating Tangos: Artistic processes and innovations in Music by Pugliese, Salgán, Piazzolla and Beytelmann
Locvs : Memory and Transience in the Representation of Place. From Italic Domus to Artistic Environment
Giovanni Girolamo Kapsperger (ca. 1581 – 1651): Betrachtungen zu seinem Leben und Umfeld, seiner Vokalmusik und seinem praktischen Material zum Basso continuo-Spiel
LABORINTH Π – ‘472’ Meditations on the necessity of creative thinking and experimenting in the performance practice of complex music from 1962 - today
Gecomponeerde uitvoerders : het musicerende lichaam vanuit compositorisch perspectief / Composing under the skin