Introduction
The motive of this research attempts to understand the process of creating. In the book of Erin Manning Relationscape - Movement, Art, Philosophy, she offers an insight of relation between movement and sensational thought. Incipiency and pre-acceleration are important elements in her thought. The two elements are in a state before a movement in motion, the intensity of movement. This thought always fascinated my thinking of how an artist creates an artwork nowadays and how a musician performs a new composition. When I analyze the process, first comes the basic training and knowledge of your own discipline, second comes the understanding and sensation of your media and yourself. To be able to sense the incipiency and pre-acceleration in the process, intuition is the key. In my work, intuition is always the overall cloud above my creating prograss. Last year, I read an essay written by Rudolf Arnheim Entropy and Art. His discussion about order and disorder in Art from scientific perspective. I was inspired by the state of function of Entropy and decided to research on the creating process of a performance based on it. Before my study in T.I.M.E, I made several instruments. All the instruments are related to body and mind except the last one, Sugar instrument. Sugar instrument is made of crystallized sugar. During the process of making and researching, I experienced two results from entropy process, order and chaos.(This will be explained later in the research)
Order: Every step of making was clearly documented, temperature, duration and reaction.
Chaos: Every time when the sugar being pulled into the mold, the activity of the reaction is random. And this randomness determined the sound character of sugar instrument.
Last two years, I learned and observed how to create a Muziektheater piece and work together with artists from theater background. I found it is a very unique discipline in Holland. The aim of this artistic research is not to analyze what is Muziektheater but to take a peek to the discipline of Muziektheater in Holland.
The happening of entropy requires an initial energy trigger. An initial energy trigger means the action. When there is action, there will be entropy. When the energy lead to chaos is entropy and leads to order it is negentropy.
Entropy = fluid
Entropy indicates a state of second thermodynamic law. It's a equation within the element of energy(heat). Energy flows like fluid which is the same as air and liquid. The root of all fluid movement is Navier-Stokes equations2. The fluid never stops moving.
An exmaple of high entropy in performance
Dick Raaijmakers The Graphic Method Bicycle
The piece The Graphic Method Bicycle by Dick Raaijmakers. A naked man on a controlled bicycle, riding along a prepared path, it’s a simple image and has its order. The activity can be understood by everyone. When the man starts, audiences hear an abstract soundscape. Sound from breathing, through the processing of the sound, your mind starts being unfolded into various sensation. For example, looking at a naked man in slow motion, wonder what is the sound he is producing and what is happening in front of you. For the performer, he has a goal to be really slow and getting to the end of the path. For audiences, we imagine and guess what is going on and what will happen. The piece has a clear structure; A man, a bicycle, a path and syntactic sound. When the man starts, all the elements also start. Each element has its own trajectory. On the other hand, audiences are experiencing a combination of all the elements. As it is not a conventional performance, audiences keep puzzling all the elements in their mind. They generate much more possibilities than the performance itself. This performance is in a closed system, audiences know the beginning and end. Most of the time, a closed system has lower entropy. But, in this performance it is different. Dick has very specific timing in this performance. It prolongs the expectation of audiences and creates an isolated system inside the closed system. It's amazing!
The Graphic Method Bicycle(1979) Dick Raaijmakers
Music Theater
Music Theater in Holland has exsits for more than 30 years. If you imagine a painting of Music Theater, the painting will be a colorful and no-rules collage.Music Theater is a free zone from Classical music and theater. It's a platform on which creative people from different disciplines try to understand each other and reach an agreement.
Music Theater in dutch is Muziektheater. There is no space between music and theater like in English. It's only one word. It indicates the idea of Music Theater is not two seperate disciplines. It's already become one independent discipline. As Music Theater is usually being misunderstood as Musical, in this research, I'll use Muziektheater instead of Music Theater for further discussion.
Muziektheater = Holland
Muziektheater is an unique discipline in performance art in Holland. In the last 40 years, various composers, musicians and theater maker have developed their idea of Muziektheater. For example, Dick Raijmaakers or the muziektheater group De Veenfabriek. Each Muziektheater work shows the respectation of the use of music in theater and vice versa. None of the elements in Muziektheater neglect their own character. It requires a pure and fundamental understanding of the material.
Ideas of a Muziektheater piece
My idea of muziektheater piece for my end exam is relating to the process I’ve been research, entropy. Entropy is a key to explore my thought and create mind map. The origin of entropy is en ‘inside’+ tropē ‘transformation’. Making a Muziektheater piece is a practice of realizing my past and what i experineced in everyday life. I’ve been playing music, from classical music to improvisation music and make my own designed instrument based on the situation around me. The first instrument I made is body cello(2011). It’s an instrument which my legs controlled half of the instrument and my upper body control the other half. The whole body has to work together for playing this instrument. I’ve been playing cello for more than 20 years and I felt the need of playing not only my hands but also legs. This feeling drives me to create the instrument. I did research on sound box, strings, shape of bridges and when the instrument is ready, I spent a lot of time practice all the possible sound from the instrument and the visual presentation( see fig.8). My body adapt to the essence of my instruement; the sound, the shape and the gesture.