References
Andrews, K. (2020) Wanderers: A History of Women Walking. London: Reaktion Books.
Ayers, A., Caruth, J., Goodwin, M., Hindle, R., Hirst, A., Jones, C. and Musselwhite, F. (2013) The Footing. Sheffield: Longbarrow Press.
Bashō, M. (1966) The Narrow Road to the Deep North and Other Travel Sketches. Translated by Yuasa, N. London: Penguin Classics.
Bashō, M. (1985) On Love and Barley - Haiku of Basho. Penguin Classics edn. Translated by Stryk, L. London: Penguin.
Bashō, M. (1998) Narrow Road to the Interior and Other Writings. Shambhala Classics edn. Translated by Hamill, S. Boston, MA: Shambhala.
Batty, C., Lee, S.-J.S., Sawtell, L., Sculley, S. and Taylor, S. (2015) 'Rewriting, Remaking and Rediscovering Writing Practice: When the Screen Writer Becomes Practitioner-Researcher', 20th Annual AAWP Conference 2015. Melbourne, Australia. Melbourne, Australia: Australasian Association of Writing Programs. Available at: http://www.aawp.org.au/publications/writing-the-ghost-train-rewriting-remaking-rediscovering/.
Baudelaire, C. (1995) 'The Painter of Modern Life', in Edited and translated by Mayne, J. The Painter of Modern Life and Other Essays. London: Phaidon Press, p. 310.
Berry, R.J. (2009) The Natural History of Islands. Paperback edn. London: Collins.
Bevan, R. (1990) 'Hamish Fulton. Mexico City', The Burlington Magazine, 132, pp. 440-441.
Bhaugeerutty, A.D. (2018) Sound Art: Discourses of Definition in the Contemporary Artworld. PhD thesis. Newcastle [Online]. Available at: http://hdl.handle.net/10443/4092.
Bianchi, F. and Manzo, V.J. (eds.) (2016) Environmental Sound Artists: In Their Own Words. New York: Oxford University Press.
Biserna, E. (ed.) (2022) Going Out – Walking, Listening, Soundmaking. Brussels: umland.
Book of British Birds (1969). Drive Publications/The Reader's Digest.
Borodale, S. (2003) Notes for an Atlas. Isinglass.
Brinklow, L. (2013) 'Stepping-stones to the Edge: Artistic Expressions of Islandness in an Ocean of Islands', Island Studies Journal, 8(1), pp. 39-54.
Brooke-Hitching, E. (2016) 'The World As It Never Was', Historia Magazine. Available at: http://www.historiamag.com/the-world-as-it-never-was/ (Accessed: 18th October 2021).
Brunton, J. (2018) 'Whose (Meta)modernism?: Metamodernism, Race, and the Politics of Failure', Journal of Modern Literature, 41(3), pp. 60-76.
Butler, C. and Filipska, G. (2020) 'The S Project', in Billinghurst, H., Hind, C. and Smith, P. (eds.) Walking Bodies : Papers, Provocations, Actions. Axminster: Triarchy Press, pp. 187-192.
Cadogan, G. (2016) 'Walking While Black', Literary Hub. Available at: https://lithub.com/walking-while-black/.
Cage, J. (1978) A Dip in the Lake: Ten Quicksteps, Sixty-One Waltzes and Fifty-Six Marches for Chicago and Vicinity. New York: Henmar Press Inc.
Caix, J. and Ferrari, L. (2013) almost nothing with Luc Ferrari: Interviews with texts and imaginary autobiographies by Luc Ferrari. Translated by Hansen, J. Berlin: Errant Bodies.
Cardiff, J. (2022) 'Anatomy of a walk', in Biserna, E. (ed.) Going Out – Walking, Listening, Soundmaking. Brussels: umland, pp. 178-185.
Cardiff, J. and Miller, G.B. (2014) Walks. Available at: http://www.cardiffmiller.com/artworks/walks/ (Accessed: 10/04/2019).
Carlyle, A. (2013) 'Viv Corringham: interviewed by Angus Carlyle', in Lane, C. and Carlyle, A. (eds.) In the Field. Axminster: Uniformbooks, pp. 215-223.
Carlyle, A. (2021) '‘And I Listened to the Whistlings and Patterings Outside’: Hearing the Wild Spaces as Sound', in Grant, J., Matthias, J. and Prior, D. (eds.) The Oxford Handbook of Sound Art. Oxford University Press, p. 0.
Carpenter, E. and McLuhan, M. (1960) 'Acoustic Space', in Carpenter, E. and McLuhan, M. (eds.) Explorations in Communication: An Anthology. Boston: Beacon Press, pp. 65-70.
Casey, E.S. (1998) The Fate of Place: A Philosophical History. Paperback edn. Berkeley: University of California Press.
Chambers, I. (2017) 'The Aural Walk', in Cox, C. and Warner, D. (eds.) Audio Culture: Readings in Modern Music. Revised edn. London: Bloomsbury Academic, pp. 129-134.
Chatwin, B. (1988) The Songlines. London: Picador.
Chion, M. (1994) 'The Three Listening Modes', in Edited and translated by Gorbman, C. Audio-Vision: Sound on Screen. New York: Columbia University Press, pp. 25-34.
Christov-Bakargiev, C. (2002) 'An Intimate Distance Riddled with Gaps: The Art of Janet Cardiff’, in J, ed. by (New York: P.S.1) pp. 15.', in Huberman, A. (ed.) Janet Cardiff: A Survey of works Including Collaborations with George Bures Miller. New York: P.S.1 Contemporary Art Centre.
Chude-Sokei, L. (2023) 'Walking with sound: race and the prosthetic ear', in Smolicki, J. (ed.) Soundwalking: Through time, Space, and Technologies. Oxon: Routledge, pp. 34-44.
Clark, T.A. (1988) In Praise of Walking. 2016 edn. Edge, Gloucestershire: Artworks.
Clarke, T. (2002) Islomania. London: Abacus.
Collier, M. (ed.) (2014) Wordsworth and Bashō: Walking Poets. Sunderland: Art Editions North; The Wordsworth Trust.
Collier, M. and Morrison-Bell, C. (eds.) (2013) Walk On: From Richard Long to Janet Cardiff; 40 Years of Art Walking. Sunderland: Art Editions North.
Collier, M. and Strachan, J. (eds.) (2013) Their Colours and Their Forms: Artists’ Responses to Wordsworth. Sunderland: Art Editions North, The Wordsworth Trust.
Corringham, V. (2022) 'Shadow-walks', in Biserna, E. (ed.) Going Out – Walking, Listening, Soundmaking. Brussels: umland, pp. 418-423.
Cox, C. (2021) 'Sound Art and Time', in Grant, J., Matthias, J. and Prior, D. (eds.) The Oxford Handbook of Sound Art. Oxford University Press, pp. 69-86.
Crane, N. (2016) The Making of the British Landscape. London: Weidenfield & Nicholson.
Denham, S. and Winkler, I. (2021) 'Listening: Flexibility through Noise, Resonance through Rhythm', in Grant, J., Matthias, J. and Prior, D. (eds.) The Oxford Handbook of Sound Art. Oxford University Press, p. 0.
Dip, A. and Peters, G. (2021) Under constant Threat (Sob constante ameaça) [video (25m40s)]. [Online] Available at: https://www.youtube.com/watch?v=TlzROTM5-4M.
Dodd, V. and Siddique, H. (2021) 'Sarah Everard murder: Wayne Couzens given whole-life sentence', The Guardian (Online edn), 30 Sep 2021. [Online] Available at: https://www.theguardian.com/uk-news/2021/sep/30/sarah-everard-murder-wayne-couzens-whole-life-sentence(Accessed: 14th October 2021).
Eco, U. (1985) 'Innovation and Repetition: Between Modern and Post-Modern Aesthetics', Daedalus, 114(4), pp. 161-184.
Edensor, T. (2010) 'Walking in rhythms: place, regulation, style and the flow of experience', Visual Studies, 25(1), pp. 69-79.
Elkin, L. (2016) Flâneuse. London: Chatto & Windus.
Emler, K. (2018) katrinem. Available at: https://www.katrinem.de/category/go-your-gait/ (Accessed: 13th March 2019).
English, L. (2015) Viento [LP]. Taiga29.
English, L. (2016) 'Approaching Nothing' [CD]. Baskaru.
Eno, B. (1996) 'Ambient Music', in Cox, C. and Warner, D. (eds.) Audio Culture: Readings in Modern Music. Revised edn. London: Bloomsbury, pp. 109-112.
Eno, B. and Schmidt, P. (2001) 'Oblique Strategies. Over one hundred worthwhile dilemmas [Deck of cards]' 5th Edition.
Ferrari, L. (1967-70) 'Presque Rien ou Le lever du jour au bord de la mer' [Stereo Tape]. Deutsche Grammophon.
Ferrari, L. (2017) 'Presque Rien' [2LP, MP3]. Recollection GRM.
Finlay, A. (2005) Shared Writing: Renga Days. Edinburgh: platform projects.
Finlay, A. (2019 to date) Day of Access. Available at: https://www.dayofaccess.co.uk (Accessed: 7th January 2022).
Finlay, A. and Cockburn, K. (2014) the road north: a journey through Scotland guided by Bashō’s oku-no-hosomichi 15 May 2010 - 15 May 2011. Bristol: Shearsman Books.
Francis, G. (2020) Island Dreams: Mapping an Obsession. Edinburgh: Canongate Books.
Fulton, H. (2005) 'Keep Moving'. Milan: Charta, p. 23.
Fulton, H. (2010) 'Walk', Visual Studies, 25(1), pp. 8-14 [Online] DOI: 10.1080/14725861003606696.
Gaffield, N. (2011) Tokaido Road. London: CB Editions.
Gaffield, N. (2019) Meridian. Sheffield: Longbarrow Press.
Gillespie, D. (2008) 'Filming John Cage’s 49 Waltzes' [DVD Pamphlet]. New York: Mode, pp. 4-6.
Gillespie, D. and Friedman, R. (2008) 'John Cage: 49 Waltzes for the Five Boroughs'. New York: Mode.
Glennie, E. (2017) 'Hearing Essay', in Cox, C. and Warner, D. (eds.) Audio Culture: Readings in Modern Music. Revised edn. London: Bloomsbury Academic, pp. 125-127.
Goodwin, M. (2013) 'from “From a St Juliot to Beyond a Beeny” being just some of the metres taken from a longer walk', in The Footing. Sheffield: Longbarrow Press, pp. 39-53.
Graham, D.W. (2015) 'Heraclitus', in Zalta, E.N. (ed.) The Stanford Encyclopaedia of Philosophy. Metaphysics Research Lab. Available at: https://plato.stanford.edu/archives/fall2015/entries/heraclitus/.
Graziadei, D., Hartmann, B., Kinane, I., Riquet, J. and Samson, B. (2017a) 'Island metapoetics and beyond: introducing island poetics, Part II', Island Studies Journal, 12(2), pp. 253-266.
Graziadei, D., Hartmann, B., Kinane, I., Riquet, J. and Samson, B. (2017b) 'On sensing island spaces and the spatial practice of island-making: introducing island poetics, Part I', Island Studies Journal, 12(2), pp. 239-252.
Gros, F. (2014) A Philosophy of Walking. London: Verso.
Haldane, J. (1998) 'Barry Flanagan and Hamish Fulton. London and New York', The Burlington Magazine, 140, pp. 839-840.
Hamill, S. (1998) 'Translator’s Introduction', in Narrow Road to the Interior and Other Writings. Shambhala Classics edn. Boston, MA: Shambhala Publications, pp. ix-xxxi.
Harmat, L., Andersen, F.Ø., Ullén, F., Wright, J. and Sadlo, G. (eds.) (2016) Flow Experience: Empirical Research and Applications. eBook edn. Switzerland: Springer.
Harper, S. (2020) 'The Meaning and Importance of Refusals: is walking as accessible as we think?', in Billinghurst, H., Hind, C. and Smith, P. (eds.) Walking Bodies : Papers, Provocations, Actions. Axminster: Triarchy Press, pp. 214-224.
Hogg, B. (2013) 'When Violins Were Trees: Resistance, Memory, and Performance in the Preparatory Experiments for Landscape Quartet, a Contemporary Environmental Sound Art Project', Contemporary Music Review, 32(2-3), pp. 249-273.
Hogg, B. (2017) 'Weathering: Perspectives on the Northumbrian Landscape Through Sound Art and Musical Improvisation.', Landscape Research, pp. 1-11.
Holbrook, U. (2019) 'Chapter 3: A Question Of Background: Sites Of Listening', in Adkins, M. and Cummings, S. (eds.) Music Beyond Airports: Appraising Ambient Music. Huddersfield: University of Huddersfield Press, pp. 51-66.
Hoskins, W.G. (2013) The Making of the English Landscape. Nature Classics edn. Toller Fratrum: Little Toller Books.
Hrybyk, M. (2004) Smallcleugh Mine, Nenthead, Cumbria. Available at: http://www.mineexplorer.org.uk/smallcleugh.htm (Accessed: 14/12/2016).
Imaoka, K. (1996) 'Forms in English Haiku', Woodnotes, (26), pp. 27-33 [Online]. Available at: http://www.graceguts.com/further-reading/forms-in-english-haiku (Accessed: 28th Feb 2019).
Ingold, T. (2007a) 'Against Soundscape', in Carlyle, A. (ed.) Autumn Leaves: Sound and the Environment in Artistic Practice. Paris: Double Entendre, pp. 10-13.
Ingold, T. (2007b) Lines: A Brief History. New York: Routledge.
Ingold, T. (2011) Being Alive: Essays on movement, knowledge and description. London: Routledge.
Jensen, M.G. (2009) 'John Cage, Chance Operations, and the Chaos Game: Cage and the "I Ching"', The Musical Times, 150(1907), pp. 97-102.
katrinem (2022) 'go you gait!', in Biserna, E. (ed.) Going Out – Walking, Listening, Soundmaking. Brussels: umland, pp. 261-267.
Kawash, S. (1998) 'The Homeless Body', Public Culture, 10(2), pp. 319-339.
Kenkō, Y. and Chōmei, K.N. (2013) Essays in Idleness and Hōjōki. Penguin Classics edn. Translated by McKinney, M. London: Penguin.
Kennaway, L. (2019) 'A History of Walking' [Pamphlet]. Glenrothes: HappenStance Press.
Kierkegaard, S. (2009) Repetition and Philosophical Crumbs. Translated by Piety, M.G. Oxford: Oxford University Press.
Knafo, D. (2012) 'Alone Together: Solitude and the Creative Encounter in Art and Psychoanalysis', Psychoanalytic Dialogues: The International Journal of Relational Perspectives, 22(1), pp. 54-71.
Lane, C. and Carlyle, A. (eds.) (2013) In the Field: The Art of Field Recording. Axminster: Uniformbooks.
Lefebvre, H. (1992) Rhythmanalysis: Space, time and everyday life. Bloomsbury Academic edn. Translated by Eldon, S. and Moore, G. London: Bloomsbury.
Lemon, G. (2019) 'When words speak louder than actions', in Thacker, M. (ed.) The Nightwatchman: the first five years. London: Wisden, pp. 160-164.
Lewis, B. (2016) 'Meridian: The First Cut | Nancy Gaffield', Longbarrow Blog. Available at: https://longbarrowblog.wordpress.com/2019/03/06/the-first-cut-nancy-gaffield/ (Accessed: 16th July 2019).
Lewis, B. (2017) 'Mirror Image', Longbarrow Blog. Available at: https://longbarrowblog.wordpress.com/2017/10/31/mirror-image-brian-lewis/(Accessed: 24th July 2019).
Lewis, G.E. (1996) 'Improvised Music after 1950: Afrological and Eurological Perspectives', Black Music Research Journal, 16(1), pp. 91-122.
Lewis-Jones, H. (ed.) (2019) Archipelago: An Atlas of Imagined Islands. London: Thames & Hudson.
Long, R. (1967) A Line Made by Walking [Photograph, gelatin silver print on paper and graphite on board].
Long, R. (2007a) 'From an interview with Mario Codognato (1997)', in Tufnell, B. (ed.) Richard Long: Selected Statements and Interviews. London: Haunch of Venison, p. 109.
Long, R. (2007b) 'Interview with Martina Giezen (1985–1986)', in Tufnell, B. (ed.) Richard Long: Selected Statements and Interviews. London: Haunch of Venison, pp. 65-91.
Long, R. (2007c) 'Richard Long in conversation with Patrick Elliott', in Richard Long: Walking and Marking. Edinburgh: National Galleries of Scotland, pp. 1-107.
Long, R. (2007d) 'Royal West of England Academy (2000)', in Tufnell, B. (ed.) Richard Long: Selected Statements and Interviews. London: Haunch of Venison, pp. 39-40.
Lopez, F. (2007) Wind [Patagonia] [CD]. Madrid: and/OAR.
Lopez, F. (2017) 'Profound Listening and Environmental Sound Matter', in Cox, C. and Warner, D. (eds.) Audio Culture: Readings in Modern Music. Revised edn. London: Bloomsbury Academic, pp. 103-108.
Macfarlane, R. (2012) The Old Ways: A Journey On Foot. London: Hamish Hamilton.
Maitland, S. (2009) A Book of Silence. London: Granta.
McLuhan, M. (2017) 'Visual and Acoustic Space', in Cox, C. and Warner, D. (eds.) Audio Culture: Readings in Modern Music. Revised edn. London: Bloomsbury Academic, pp. 89-94.
Merleau-Ponty, M. (2005) Phenomenology of Perception. Taylor and Francis e-Library.
Met Office (2010) 'The Beaufort Scale; Fact sheet 6'. Exeter: Met Office National Meteorological Library and Archive Fact sheet. Available at: www.metoffice.gov.uk/learning/library/publications/factsheets.
Micchelli, T. (2014) 'Strangely Familiar: The art of the Chinese Album', 27th September 2014. Available at: https://hyperallergic.com/151502/strangely-familiar-the-art-of-the-chinese-album/ (Accessed: 4th August 2017).
Millar, J. (2010) 'Not Wanting to Say Anything About John Cage', in Every Day is a Good Day: The Visual Art of John Cage. London: Hayward Publishing, pp. 15-19.
Minamore, B. (2018) 'Black Men Walking: a hilly hike through 500 years of black British history', The Guardian (Online edn), 23rd January 2018. [Online] Available at: https://www.theguardian.com/stage/2018/jan/23/black-men-walking-royal-exchange-manchester-testament (Accessed: 13th October 2021).
Mod, C. (2021) 'Big Walk Energy, Story Demystified, Film Review', Roden Issue #056. Available at: https://craigmod.com/roden/056/(Accessed: 11th October 2021).
Moore, P. (2015) The Weather Experiment. London: Chatto & Windus.
Moorhouse, P. (2002) 'The Intricacy Of The Skein, The Complexity Of The Web: Richard Long’s Art', in Long, R., Moorhouse, P. and Hooker, D. (eds.) Walking The Line. London: Thames & Hudson, pp. 29-43.
More, T. (1516) Utopia.
Morrison-Bell, C. (2013) 'Foreword', in Collier, M. and Morrison-Bell, C. (eds.) Walk-On: From Richard Long to Janet Cardiff - 40 Years of Art Walking. Sunderland: Art Editions North, pp. 1-3.
United Nations Convention on the Law of the Sea (UNCLOS) (Part VIII Regime of Islands).
Nemeth, E., Pieretti, N., Zollinger, S.A., Geberzahn, N., Partecke, J., Miranda, A.C. and Brumm, H. (2013) 'Bird song and anthropogenic noise: vocal constraints may explain why birds sing higher-frequency songs in cities', Proceedings of the Royal Society B, 280, p. 20122798.
Nitschke, G. (1988) MA - Place, Space, Void [Web article]. Available at: https://kyotojournal.org/culture-arts/ma-place-space-void/ (Accessed: 23rd October 2019).
Nobel, A. (2015) 'On the representation of the island in my artwork', Island Studies Journal, 10(1), pp. 111-122.
Obordo, R. and Otte, J. (2021) ''I stick to well-lit and busy areas': women share their fears of walking alone at night', The Guardian (Online edn), 11 March 2021. [Online] Available at: https://www.theguardian.com/lifeandstyle/2021/mar/11/i-stick-to-well-lit-and-busy-areas-five-women-share-their-fears-on-walking-alone-at-night (Accessed: 14th October 2021).
Oliveros, P. (2005a) Deep Listening: A Composer’s Sound Practice. Lincoln NE: iUniverse.
Oliveros, P. (2005b) 'Some Sound Observations', in Cox, C. and Warner, D. (eds.) Audio Culture: Readings in Modern Music. First edn. New York: Continuum, pp. 102-106.
Ouzounian, G. (2020) Stereophonica : sound and space in science, technology and the arts. Cambridge MA: MIT Press.
Perloff, M. (2009) The Music of Verbal Space: John Cage’s “What you say”. Available at: http://marjorieperloff.blog/essays/cage-verbal-space/(Accessed: 23rd September 2022).
Perry, G. (2018) 'Landscaping Islands: Alex Hartley’s Nowhereisland and Floating Histories in Contemporary British Art', British Art Studies, (10) [Online] DOI: 10.17658/issn.2058-5462.
Ranciere, J. (2010) Dissensus: On politics and aesthetics. Edited and translated by Corcoran, S. London: Continuum.
Rennie, F. (2020) The Changing Outer Hebrides: Galson and the meaning of Place. Stornoway: Acair.
Robinson, A. (2013) 'On Walking', in Collier, M. and Morrison-Bell, C. (eds.) Walk-On: From Richard Long to Janet Cardiff - 40 Years of Art Walking. Sunderland: Art Editions North.
Rose, M. (2020) 'Access Denied? Walking Art and Disabled People', in Billinghurst, H., Hind, C. and Smith, P. (eds.) Walking Bodies : Papers, Provocations, Actions. Axminster: Triarchy Press, pp. 225-234.
Rovelli, C. (2019) The Order of Time. Translated by Segre, E. and Carnell, S. UK: Penguin.
Sanktōka, T. (2003) For All My Walking: Free verse haiku of Taneda Santōka with excerpts from his diaries. Translated by Watson, B. New York: Columbia University Press.
Schaeffer, P. (2017) 'Acousmatics', in Cox, C. and Warner, D. (eds.) Audio Culture:Readings in Modern Music. Revised edn. London: Bloomsbury Academic, pp. 95-102.
Schalansky, J. (2012) Pocket Atlas of Remote Islands. London: Penguin.
Scheier-Dolberg, J. (2015) 'Turning the Page: The Art of the Chinese Album', Orientations, 46(2), pp. 157-163.
Šerc, S. (2018) Bora Scura [digital dowload]. Barcelona: Sonospace.
Sharrocks, A. and Qualmann, C. (2017) Walking Women: A Study Room Guide on women using walking in their practice. Live Art Development Agency. Available at: https://repository.uel.ac.uk/download/f26f8b1a42452ac1f1cc4e140ad176a2014b76310de726517510be9cc5704f34/6590727/Qualmann-WALKING-WOMEN-A-Study-Room-Guide-on-women-using-walking-in-their-practice.pdf.
Shaw, T. (2023) 'Paths of dependence: welcoming the unwelcome', in Soundwalking: Through time, Space, and Technologies. Oxon: Routledge, pp. 116-133.
Simpson, D. (2018) 'framework:afield' Padley Gorge to Burbage Moor at Dawn. Framework Radio. Available at: http://www.frameworkradio.net/2018/11/662-2018-11-18/.
Simpson, D. (2019) Dallas Simpson: Statement & Philosophy. Available at: http://www.dallassimpson.com/statement.php (Accessed: 13th March 2019).
Smalley, D. (1996) 'The listening imagination: Listening in the electroacoustic era', Contemporary Music Review, 13(2), pp. 77-107.
Smolicki, J. (ed.) (2023) Soundwalking: Through time, Space, and Technologies. Oxon: Routledge.
Solnit, R. (2002) Wanderlust: A History of Walking. London: Verso.
Somers-Hall, H. (2013) Deleuze’s Difference and Repetition. Edinburgh: Edinburgh University Press.
Stilgoe, J.R. (2015) What is Landscape? Cambridge MA: MIT Press.
Strachan, J. (2017) 'Creative engagement with the natural world - William Wordsworth, walking and writing', Essays in English Romanticism, 41, pp. 75-79.
Stryk, L. (1985) 'Introduction', in On Love and Barley - Haiku of Basho. Penguin Classics edn. London: Penguin, pp. 9-19.
Taylor, L. (2020) As Covid-hit Brits escape to the country, minorities face rural racism. Available at: https://news.trust.org/item/20201112050523-5j78d(Accessed: 4th April 2022).
Testament (2018) Black Men Walking [Stage Play]. Eclipse Theater Company.
Tilley, C. (1994) A Phenomenology of Landscape. 1st edn. Oxford: Berg.
Tilley, C. (2004) The Materiality of Stone. Oxford: Berg.
Tubridy, D. (2007) 'Sounding Spaces Aurality in Samuel Beckett, Janet Cardiff and Bruce Nauman', Performance Research: A Journal of the Performing Arts, 12(1), pp. 5-11.
Vincent, D. (2020) A History of Solitude. Print edn. Cambridge: Polity.
Voegelin, S. (2010) Listening to Noise and Silence: Towards a Philosophy of Sound Art. London: Continuum.
Voegelin, S. (2014) 'Collateral Damage', The Wire, (364), p. 16.
Voegelin, S. (2021) 'Sonic sense: The Meaning of the Invisible', in Grant, J., Matthias, J. and Prior, D. (eds.) The Oxford Handbook of Sound Art. Oxford University Press, p. 0.
Watson, C. (1998) Outside the Circle of Fire TO:37. London: Touch Music.
Watson, C. (2003) Weather Report TO:47. London: Touch Music.
Watson, C. and Nilsen, B. (2006) Storm Tone 27. London: Touch Music.
Watts, A. (1999) The Way of Zen. Vintage Spiritual Classics edn. USA: Vintage Books.
White, K. (1990a) The Blue Road. Edinburgh: Mainstream Publishing.
White, K. (1990b) Travels in the Drifting Dawn. London: Penguin Group.
White, K. (1992) Pilgrim of the Void: Travels in South-East Asia and the North Pacific. Edinburgh: Mainstream Publishing.
Wilson, L.K. (2021) 'Chthonic: 72 hours below Earth day: The Sensed, the Remembered, the Lost, and the Reconstructed', in Grant, J., Matthias, J. and Prior, D. (eds.) The Oxford Handbook of Sound Art. Oxford University Press.
Winderen, J. (2008) Utvaer [streamed mp3]. London: Touch.
Wordsworth, W. (1835) A Guide Through The District of The Lakes in the North of England. Facsimile of 5th (1835) edn. Malvern: Tantivy Press.
Yuasa, N. (1966) 'Introduction', in The Narrow Road to the Deep North and Other Travel Sketches. Penguin Classics edn. London: Penguin, pp. 9-49.
Back to Table of Contents