REFERENCES


      • Csikszentmihalyi, M. (1996). *Creativity: Flow and the Psychology of Discovery and Invention*.
      • Lubart, T. I. (2001). *Models of the Creative Process: Past, Present and Future*.
      • Webster, P. (2002). *Creative Thinking in Music: Advancing a Model*.
      • Bennett, A. (2012). *The Historical Development of the Songwriting Process*.
      • Rubin, R. (2023). *The Creative Act: A Way of Being*.
      • Maslow, A. H. (1964). *Religions, Values, and Peak Experiences*.
      • Gunther Schuller’s Contributions  - Schuller, G. (1957). "Third Stream Music". 
      • Smith, J. (2015). "The Evolution of Third Stream Music". *Music Theory Online*.
      • Frith, S. (1996). Performing Rites: On the Value of Popular Music. Oxford University Press.
      • Moore, A. F. (2002). Authenticity as Authentication. *Popular Music*, 21(2), 209-223.
      • Negus, K. (1992). Producing Pop: Culture and Conflict in the Popular Music Industry. Edward Arnold.
      • Taylor, T. D. (2001). Strange Sounds: Music, Technology & Culture. Routledge.
      • Thompson, P. (2012). Creators, Business and Copyright. *International Journal of Cultural Policy*, 18(5), 529-530.
      • Zagorski-Thomas, S. (2014). The Musicology of Record Production. Cambridge University Press.
      • Théberge, P. (1997). *Any Sound You Can Imagine: Making Music/Consuming Technology.
      • Burgess, R. J. (2013). *The Art of Music Production: The Theory and Practice.*
      • Toynbee, J. (2000). *Making Popular Music: Musicians, Creativity and Institutions.*
      • Katz, M. (2004). *Capturing Sound: How Technology Has Changed Music.*
      • Stokes, M. (2004). *Ethnicity, Identity and Music: The Musical Construction of Place.*
      • Moorefield, V. (2010). The Producer as Composer: Shaping the Sounds of Popular Music. MIT Press.
      • Martin, A. (2018). The Role and Working Practice of Music Producers: An Interpretative Phenomenological Analysis (Doctoral dissertation, University of Huddersfield)
      • Saint-Exupéry, Antoine de. (1939) Terre des Hommes (Wind, Sand and Stars).
      • Simon, Herbert A. (1992) "What is an 'Explanation' of Behavior?" Psychological Science, 
      • Zak, J., & Lefford, A. (2015). "Music Production: Creative Approaches to Contemporary Music Making"
      • Ehrenzweig, Anton (1967) The Hidden Order of Art: A Study in the Psychology of Artistic Imagination. University of California Press
      • Jung, C. G. (1981) The Archetypes and the Collective Unconscious, Princeton University Press.

 

OWN PROJECTS THAT I REFERENCE

 

      • Pálsdóttir, Eivør & The DR Bigband “At the Heart of a Selkie” Tutl Records, 2016.
      • Jensen, Peter, and Morten Büchert. Light Through Leaves. ILK Music, 2021.
      • Annisette & DR Big Band: Tale Of Time, South Harbour Records, 2022.

 

DEFINITIONS