There with my 120 camera, loaded with a roll of expired colour slide film, together with a half-frame 35mm camera loaded with a black and white film, I started my photographic journey through the park. The winter landscape was a tapestry of muted tones, where the stillness was more present than anything else. I shot my two rolls of films, freezing the sense of stillness at the site while thinking of the contrast between the dormant park and the potential for vibrant energy hidden within.