Bernstein, D. W. (2002). Music I: to the late 1940s. In Nicholls, D. (Ed), The Cambridge companion to John Cage (pp.63 - 80) Cambridge: Cambridge University Press.

 

Emmerik, P. (2009). An imaginary grid: Rhythmic structure in Cage´s music up to circa 1950. In Patterson, D. W. (Ed), John Cage. Music, philosophy and intention, 1933-1950 (pp. 217-237) New York, Routledge.

 

Evans, R. B. (1981). The well-prepared piano. Colorado Springs: Colorado College Music Press.

 

Ford, A. (2001). Composer to composer: conversations about contemporary music. Sydney: Hale & Iremonger.

 

Miller, L. E. (2002). Cage's collaborations. In Nicholls, D. (Ed), The Cambridge companion to John Cage (pp. 151 - 160) Cambridge: Cambridge University Press.

 

Nicholls, D. (2002). Cage and America. In Nicholls, D. (Ed), The Cambridge companion to John Cage (pp. 3 - 19) Cambridge: Cambridge University Press.

 

Nicholls, D. (2007). John Cage. Madrid: Turner Publicaciones S.L.

 

Pritchett, J. & Kuhn L. (2001). Cage, John, In S. Sadie (Ed), The New Grove Dictionary of Music and Musicians (vol. 4, pp. 796-804). London: Macmillan Publishers.

 

Shultis, C. (2009). No Ear for Music: Timbre in the Early Percussion Music of John Cage. En Patterson, D. W. (Ed.), John Cage. Music, philosophy and intention, 1933-1950 (pp. 83 - 104) New York: Routledge.

 

Vaes, L. P. F. (2009). Extended piano techniques in theory, history and performance practice (Doctoral thesis). Leiden University, Leiden.

 

SCORES

 

Cage, John. Bacchanale. New York: Henmar Press.

Cage, John. The Perilous Night. New York: Henmar Press.

BIBLIOGRAPHICAL SOURCES

ANNEXE I. ORIGINAL SCORE

ANNEXE III. PERCUSSION QUARTET SCORE

ANNEXES

ANNEXE II. PIANO QUARTET SCORE

ANNEXE IV. RECORDINGS