What is the necessity of doing an interview where, once played, the history is constantly repeating itself?

Approaching archival interviews as important pieces of documents to refer to later.

Film credit: Tehran, a Conceptual Art by Mohammadreza Aslani  (2012)

Interview Credit: Berliner Festspiele, 10 Days of Iranian Cinema (2018)

Interviewee: Bahram Beyzaei

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