ARTikulationen 2020’s presenters were Daniela Braun, Janhavi Dhamankar, Patrick Gusset, Jessica Kaiser, Susanne Scholz, Marcio Steuernagel, and Karin Wetzel. Our doctoral students presented the results or advances of the past year(s), with Karin Wetzel’s presentation having been for the final year viva voce (Rigorosum).
ARTikulationen 2020 was be a hybrid (online and local) event. True to tradition, some of the presentations featured live performances, and most of them examples of recorded materials. Instead of keynotes and panel discussions, there were two novelties in response to the virus-forced online-aspect of the event.
The first is the Intermezzo format, in which nonverbal reflections of specific artistic research in the form of “Songs Without Words” are first streamed and then discussed. The three Intermezzi of one hour duration each were dedicated to the 2019 edition’s topic: reflection through music. We invited nonverbal reflections for a first attempt at engaging through action with what has been a central riddle in the discourse and understanding of artistic research. Elina Akselrud, Magdalena Chowaniec, Lorelei Dowling, Adela Liculescu, Feliz Reyes Macahis and Jakob Stillmark were the contributors.
The second novelty was a series of feedback sessions for each doctoral student with their supervisory and advisory team. These sessions were a rare opportunity for concentrated group exchange on the project status and took place 30 minutes after each respective presentation and discussion. For those present locally, MUMUTH Proberaum was the main space.
Schedule
Thu 08 Oct |
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14:00 |
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Deniz Peters, Christopher A. Williams |
Opening |
14:15 |
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Janhavi Dhamankar |
Empathy Infusions Guided TourJoin me as I guide you through the research highlights of this year. I have designed a participative performance to walk through the story … |
15:45 |
Pause |
15:45 |
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Intermezzi |
Lorelei Dowling, Magdalena Chowaniec |
16:45 |
Pause |
17:00 |
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Jessica Kaiser |
The Musical Dyad - on Interplay in Duo SettingsIn a chamber music performance, performers as well as listeners seem to highly value the potential of musical and emotional connection and intimacy unfolding … |
Fri 09 Oct |
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10:00 |
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Patrick Gusset |
The Future Of The Earth: Preenacting Climate ScenariosUm Fragen des Künftigen zu bearbeiten, entwerfen wir Szenarien. Die Methode der Szenariotechnik analysiert mögliche Entwicklungen der Zukunft und stellt sie zusammenhängend dar. Szenarien … |
11:00 |
Pause |
11:30 |
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Intermezzi |
Jakob Stillmark, Feliz Anne Reyes Macahis |
12:30 |
Lunch Break |
15:00 |
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Susanne Scholz |
The Instruments beneath the Golden Layerfor the second presentation of the doctoral project The Sound beneath a Golden Layer Researching The Sound beneath a Golden Layer of the Renaissance … |
16:00 |
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Intermezzi |
Elina Akselrud, Adela Liculescu |
17:00 |
Pause |
17:15 |
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Daniela Braun |
Playing with ResonanceSympathetic resonance is a phenomenon wherein a resonator responds to the vibrations of an unconnected sound source, such as the sympathetic strings of a … |
Sat 10 Oct |
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11:00 |
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Márcio Steuernagel |
Senses of musical imperfections in “The Great in-Betweenness” for solo flutewith Eric Lamb (Flute) The question of “what is musical imperfection” or “what can musical imperfection be” is an elusive one. As a morphologically … |
12:00 |
Lunch Break |
13:00 |
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Karin Wetzel |
Rigorosum: Das Werk im Werk - Konzepte des Poly-Werks im 20. und 21. JahrhundertIn the past 70 years, various composers have composed so-called poly-works, that consist of at least two works that can be performed either independently … |
14:30 |
Pause |
15:00 |
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Deniz Peters |
Finale (Announcement of results, Best Practice Award) |