Welcome to Practice Sharing II — the second online presentation of language-based practice within the field of artistic research. Over 60 individuals and collaborations are included in this second 'sharing'.
This online Practice Sharing has evolved through and parallel to other formats of sharing: physical gatherings and online sessions that have taken place since 2019. Practice Sharing will continue to evolve through future calls and opportunities, providing a context and space for artists, writers and researchers to further connect with each other and explore approaches to language-based practice within the field of artistic research.
TIPS ON NAVIGATING
* To return to main Practice Sharing page click <<
* Click on individual names or on the alphabetical cluster (e.g. A – C) to browse contributions.
* The pages extend horizontally as well as vertically.
* Double click on images to enlarge as a pop-up, or in some cases, click on the ENLARGE IMAGE hyperlink to further expand the image field.
* Videos have a 'play' icon in their top right hand corner 4. Click directly on video to play – videos can also be enlarged to full screen.
* Click on PDFs to read or download.
* PDFs and external links open in a new window.
* The optimal viewing mode for this exposition is 100%. It is possible to zoom in and out using the + and - operations on your actual computer but this can impact the layout.
embodied semantics/epistemology
first person science
sign vs. gesture
unfix ready-made concepts
movement choir
multimodality
living assemblage(s)
emergent language(s)
expanded choreographies
polyphonic vocabulary creation
Mamdooh Afdile, Maria Hedman Hvitfeldt, Alexander Skantze
adaption
interpretation
visualisation
theme-driven
collaboration
rosie heinrich with An_assembling_“I”
(re)verbing
assemblying
relation-oriented
re-fusing
intra-being
embodied blindfoldedness
dialogic co-creation
psychosocial aesthetics
ontographic re-presentations
weak thought
Kirsi Heimonen & Leena Rouhiainen
choreography
embodiment
site
collaboration
phenomenology
extratextual writing practices
kinetic audiobook
sound technology
algorithmic translation
serendipity
language-based musical practice
language and music
instrumental music
practising and performing music
linguistic layer of music
Elena Peytchinska & Thomas Ballhausen
operative fiction
non-linear storytelling
more-than-text
post-digital poetics
more-than-human collaboration
writing as:
- art form
- knowledge generator
- artistic-academic research tool
- experimental system
the time of the word
the space of the word
the sound of the word
the sense of the word
the voice of the word
collaborative writing
choreographic publishing
transversal attentions
sense-drifting
situated descriptions