Andrew Morrison
Professor, Oslo School of Architecture and Design (bio) / Presenting: Amphibious Trilogies
Maureen Thomas
Professor Emerita, The Norwegian Fimlschool - Inland Norway University of Applied Science (bio) / Presenting: Queens Game
Natasha Barrett
Professor, The Norwegian Academy of Music (bio) / Presenting: Reconfiguring the Landscape
Dler Mariam Dalo (Shwan Dler Qaradaki)
Shwan does not write backwards. He is originally Kurdish so that is why he writes from right to left and the direction of the text means something for the context between the drawing, the history, between text and picture.
Shwan studied art in Suleimani Institute of Fine Art in Kurdistan in the 90`s. A school with five years of art studies where one had to learn to draw and paint realistically. He studied ancient history, from Mesopotamia and Egypt, then followed the time before and after the introduction of Islam, with ornament, calligraphy and poetry. Then he studied European art history from the renaissance to modernism.
Geopolitical issues, identity, belonging, and territory-looseness were consistent themes during Shawn’s upbringing in Kurdistan. These issues have not become less relevant after he came to Norway as a political refugee in the year 2000."
Shwan wants to investigate the relationship between art and war related questions in relation to individual experiences. He desired to investigate how dramatic life could affect people’s self-image and self-understanding, and he wanted to combine his own experiences with others’ voices to tell stories from our time. With his own and others’ experiences under totalitarian regimes
Håkon Daniel Nystedt
The Norwegian conductor Håkon Daniel Nystedt has conducted, among others, Gothenburg Symphony Orchestra, Oslo Philharmonic Orchestra, Bergen Philharmonic Orchestra, the Norwegian Radio Orchestra, Aarhus Symphony Orchestra, Trondheim Symphony Orchestra, Helsingborg Symphony Orchestra, Kristiansand Symphony Orchestra, Tromsø Symphony Orchestra and Sønderjylland Symphony Orchestra. He also conducts professional wind ensembles and choirs. In 2015, Håkon Daniel Nystedt conducted a concert in Carnegie Hall, New York, with a festival orchestra and chorus. He then performed there for the second time in 2017. He has conducted productions of Mozart’s The Wedding of Figaro, Rossini’s il Barbiere di Siviglia and Ravel’s L’enfant et les sortilèges, and has been assisting on productions like Strauss’ Die Fledermaus and Puccini’s Tosca and Madama Butterfly. In 2018 he conducted a new opera by Gisle Kverndokk at the Norwegian Opera House. The production was awarded the Norwegian critic’s prize for the musical performance of the year. In recent years, Håkon Daniel Nystedt has also been writing music. The collaborative piece “Her” written together with Daniel Herskedal and folk musicians, was performed at Riksscenen in Oslo in 2020 and at Bergen international festival in 2021. The commissioned work “Purgatorium” has been performed in Oslo, Drammen and Sandefjord, and a recording will be released in 2022.
Jenny Perlin
Jenny Perlin makes 16mm films, videos, drawings and animations. Her films work with and against the documentary tradition, incorporating innovative stylistic techniques to emphasize issues of truth, misunderstanding, and personal history. Her projects look closely at ways in which social machinations are reflected in the fragments of daily life. Perlin’s work has been shown in numerous exhibitions and film festivals, including at the Whitney Museum of American Art, the Guggenheim Museum, the Museum of Modern Art, the New York Film Festival, the Berlin Film Festival, the Rotterdam Film Festival, and others.
Mari Koppanen
Mari Koppanen works as a multidisciplinary designer embracing ethical, environmental, and social issues in her work. She is devoted to working in different areas of design, ranging from furniture to textiles, pottery to biomaterial design. Koppanen has been looking into fungi as a material resource for the past years, and she is working towards her Ph.D. in Artistic research at the Oslo National Academy of Arts.
Petrine Vinje
Petrine Vinje is a visual artist based in Oslo. Her sculptures and installations in plastic materials explores ideas about temporality and spatiality in the systems of the material and immaterial. Petrine Vinje has been conducting temporal, interdisciplinary projects in public space, commissions and artistic research projects. Her work has been exhibited in a number of national and international group exhibitions, and in solo exhibitions at Fotogalleriet, Oslo (2018), the Museum of Cultural History, University of Oslo (2014), Tegnerforbundet (2017) amongst others. She has conducted several public commissions including for the Research Council of Norway, and the Norwegian Defence Estates Agency (KORO). In 2018, Vinje published Anthology – Anatomical Theatre, a volume based on a project where she invited scholars and artists to contribute in a vast associated programme that was set in a replica of the Nordic anatomical theatre in Uppsala, Sweden (1562-64), produced for the Norwegian Sculpture Biennale (2013). She received her MA in Fine Art at the Institute of Colour, KHiO – Oslo National Academy of the Arts in 2005, and is currently a PhD research fellow at Department of Art and Craft, in KHiO.
Robel Temesgen
Born in 1987 in Ethiopia, Robel Temesgen is currently a PhD fellow in Artistic Practice at the Oslo National Academy of the Arts. He received MFA from Tromsø Academy of Contemporary Art, University of Tromsø, Norway in 2015, and a BFA with Great distinction in Fine Art (Painting) from Alle School of Fine Arts and Design, Addis Ababa University in 2010. He took part in several fellowships and residencies, Junge Akademie Program of the Akademie der Künste, Berlin, and IASPIS, Stockholm, the Swedish Art Grants Committee’s International Programme for Visual and Applied Art are to mention a few. Temesgen’s work has been widely exhibited in international platforms in solo and group shows including ARoS Museum, Aarhus (2021), Para Site, Hong Kong (2021), Kunsthall Oslo (2019), Circle Art Agency, Nairobi (2019), Addis Foto Fest, Addis Ababa (2018), Modern Art Museum, Addis Ababa (2018), Tiwani Contemporary Art Gallery, London (2018), Hamburger Bahnhof, Berlin (2017), Marabouparken, Stockholm (2017), Nada Art Fair, Miami (2016), Akademie der Künste, Berlin (2016), Tromsø Kunstforening (2016), Tiwani Contemporary Art Gallery, London (2016), Kurant Visningsrom, Tromsø (2015), Lumen Festival, New York (2015), Neue Nationalgalerie, Berlin (2014) and Modern Art Museum/Gebre Kristos Desta Center, Addis Ababa (2013).
Sara Eliassen
Sara Eliassen is an artist/ filmmaker and currently a PhD candidate in artistic research KHiO - the Academy of Fine Art. Current projects explores propaganda histories, and how ideology has been normalized through contemporary images, technologies and moving image culture, and further- how images and screen technologies can work to undo certain subjectivities in order to build new political imaginaries. Eliassen’s films have played extensively at international film festivals, such as Venice Film Festival, Int. Film Festival Rotterdam and Sundance, and her practice also involves projects in public space; the artist initiated Not Worth It (2007) and Under The Park (2021), and The Feedback Loop (2018) with The Munch Museum in Oslo. Eliassen also programs films, lectures and conversations, and often invites other artists’ work and practices into/ in relation to her projects. Eliassen was a studio fellow at The Whitney Museum’s Independent Study Program in 2010/ 2011. The artist will do a presentation of her project-in-progress Mediating Uncertainties.
Idin Samimi Mofakham
The music of Iranian composer/performer, Idin Samimi Mofakham (*1982) is deeply based on the traditional and regional music of his home country. Since 2015, He develops his own musical language based on the medieval Persian tuning systems, just intonation and Psychoacoustics. Idin is the co-founder and artistic manager of Spectro Centre for New Music since 2013, along with Polish composer & conductor Martyna Kosecka. Since 2015 he serves as a co-founder, board member and senior curator of Tehran Contemporary Music Festival, the only international music festival with focus on contemporary and experimental music in Iran. Since 2019, Idin holds a PhD in Artistic Research position at the Norwegian Academy of Music in Oslo (Norway), pursuing his research on Persian medieval tuning systems and its creative usage in contemporary composition.
Ingar Zach
Ingar Zach is a freelance musician, working with musical creation in different ways. The main sources of creating music are percussion and electronics, and the compositions often stems from research through his instrumental practice.
Since 1999 I he co-runs the record label SOFA MUSIC, and he has been touring and recording worldwide since 1995 with his regular ensembles such as Dans les arbres, Huntsville, Mural, O3 and his solo projects.
Ingeborg Dalheim
Ingeborg Dalheim, soprano, studied Norwegian folk music at University of South-Eastern Norway, campus Rauland, and classical singing at the Norwegian Academy of Music in Oslo, and at the Hochschule für Musik Köln, finishing her master degree in baroque opera in 2006. She has since 2004 immersed herself in so-called early music, and collaborated with world-leading baroque specialists such as Jordi Savall, Christophe Rousset, Alan Curtis and Rolf Lislevand. During the last decade, she has grown a fond interest for contemporary music, primarily through her collaboration with the pianist Heloisa Amaral, who is also a part of her artistic research phd-project «Back out of the gramophone».
Kalle Moberg
Kalle Moberg (*1994) has excelled as one of Norway’s most promising musicians of his generation. In addition to his former position as kapellmeister at the Norwegian Royal Palace from 2013-2017, he is now reaping international recognition from his ground-breaking work with extended instrumental technique on his main instrument - the accordion. Moberg performs widely as a soloist and chamber musician in classical and contemporary music, and as an improviser ranging from freely improvised music to jazz, and has been touring in America, Mexico, Japan and Europe. Moberg did his bachelor's degree in classical music performance at the Norwegian Academy of Music from 2013-2017, and a master's degree in the same field under Teodoro Anzellotti (IT) at Hochschule der Künste Bern from 2017-2019.
Lisa Streich
Lisa Streich, born in Norra Råda, Sweden in 1985, studied Composition and Organ in Berlin, Stockholm, Salzburg, Paris and Cologne. Her works have been performed around the world by among others, the NDR Elphilharmonie Orchester, Quatuor Diotima and the Swedish Radio Choir. Prizes and scholarships include Cité des Arts Paris, orchestra prize by the Anne-Sophie Mutter Fund, Busoni Förderpreis of the Academy of Arts Berlin, Bernd Alois Zimmermann Prize, the Rome Prize Villa Massimo, the Roche Young Commission by the Lucerne Festival and the Ernst von Siemens composers prize. She has a portrait CD at WERGO / Zeitgenössische Musik (2018) and KAIROS (2019).
Robert Seaback
Robert Seaback is a composer and sound artist from the US currently based in Oslo. His music explores digital-informational structures and the material dimensions underlying their formulation and reception. He has composed mixed electroacoustic works for chamber ensembles, immersive acousmatic music, and sound installations. His writing on anacoustic modes of composition was published in the journal Organised Sound in 2020. Robert has a PhD in composition from the University of Florida and degrees in music from Mills College (MA) and Northeastern University (BS). He is currently an Artistic Research Fellow at the Norwegian Academy of Music. His music has been presented at international events such as ICMC, NYCEMF, Sonorities, CEMI Circles, Sound Junction, MA/IN, and the ISCM World New Music Days, and has been recognized with awards from IEM & VDT 3D Audio Production Competition, Xenakis International Electronic Music Competition,ASCAP/SEAMUS, University of Florida, and Mills College.
Denise Hauser
Denise Hauser holds a Master of Arts in directing animation from the Royal College of Art London (2008) with a grant from IKEA Foundation Switzerland and an RCA College bursary, Bachelor in Graphic Design / Illustration from Central Saint Martins College of Art & Design (2006). Since 2008, the short films that Hauser has directed have screened at over 100 international film and animation festivals such as Nordisk Panorama, Hiroshima International Animation Festival and Kyoto Cross Media Conference. She has previously been a visiting lecturer at Høyskolen Kristiania (Motion graphics and visual communication) as well as NTNU (IKM - Film- and TV production) and in 2018 she held a temporary position as Assistant professor in Film- and TV production at Nord University. Since 2012, she has also directed films within the commercial sector in New York and more recently in Oslo for clients such as Smithsonian Archives of American Art as well as Design and Architecture Norway (DOGA).
Marianna Bastashevski
Mari Bastashevski is an artist, writer, and a PhD candidate at the NTNU art academy in Trondheim, Norway.
She has exhibited with Bonniers Konsthalle, Maison Populaire, Musée de l’Elysée, HKW Berlin, Art Souterrain, Noorderlicht, and has been published in Time Magazine, The New York Times, Courrier International, Le Monde, e-flux, VICE, and a number of other venues. She was a 2019 artist in residency at Chateau D’Oiron and a 2017-2018 technology fellow at the Data & Society Institute in New York. She has also been awarded art residencies at IASPIS Stockholm and Cite des Art in Paris. She has sponsorships and production grants from Magnum Foundation, MAST foundation, Abigail Cohen Foundation, and Helvetia among others.
Peter Knudsen
Peter Knudsen is a jazz pianist and composer based in Stockholm, Sweden, and a PhD fellow at NTNU in Trondheim. His albums explore themes as diverse as French Impressionism, Swedish Romanticism, as well as his own compositions inspired by nature, literature and life itself. These can be heard on his octet album ”Sagas of the Present”, released by Italian label CAM Jazz and reviewed favorably by Down Beat, All About Jazz alongside European magazines. He was also commissioned to write music for Stockholm Jazz Orchestra, resulting in the folklore-inspired suite “Nature Spirits”, with an album with the same name released by Do Music Records in 2019. Peter is also a member of Derupeto, an international quartet with members from Sweden, Brazil and Mozambique. See also: www.peterknudsen.com / https://www.ntnu.no/ansatte/peter.knudsen
Solveig Wiig (Volda University College)
Solveig Wiig (b.1980) is an animator, cartoonist and illustrator. Wiig is educated as an illustrator and holds an MA in Design from Oslo National Academy of the Arts with a BA (Hons) of Arts from University College Falmouth (UK). She is trained as an animator from Volda University College and The Animation Workshop in Viborg (Denmark). She holds a BA in animation from University College Volda and a BA in History of Art from The University of Oslo. Wiig is also a teacher with pedagogical education from Rudolf Steiner University College and in Media Didactics from The University of Oslo. She is currently a Doctoral Research Fellow in Animation at Volda University College and a PhD candidate in Artistic Research at NTNU. The projects preliminary title is “Exploring line and characters through feminist worlds”. Artist within the fields of comic books and film who has received Artist Grants from The Norwegian Fund for Illustration, Grafill, and The Arts Council Norway. The graphic novel Fragments No.1 was nominated for the Award Visuelt 2017 under the category illustration. For several years, she has explored the field of sequence-based drawing within the autobiographical comic book series Fragments. In 2016 she launched the self-published comic Fragments No.1 at Oslo Comics Expo and in 2017 Wiig launched Fragments No.2 at Raptus, Bergen International Comics Festival. The comics Fragments No.1 and Fragments No.2 have previously been printed in two editions: risograph-and digital issues. Wiig has various teaching experience from University level to Sixth Form College in subjects within Media and Art. She has been a lecturer at Oslo Metropolitan University, Bergen Academy of Art and Design, Oslo National Academy of the Arts and The Nordic Institute of Stage and Studio. Solveig Wiig currently teaches Life Drawing and croquis at Volda University College and is a course coordinator in Figure Drawing. She has exhibited her work at Deichman Grünerløkka/Serieteket, Grafill R21, Black Box teater, Norwegian Film Institute and The Norwegian Centre for Design and Architecture. Wiig has also exhibited work in England at The Royal Society of Arts and at the venue Business Design Centre at the Leading London Graduate Design Show New Designers.
Trygve Nielsen (Volda University College)
Trygve Nielsen was born in Molde in 1976, and has since lived in an near by village on the Norwegian west coast. He is educated as an animator and has worked as an independent filmmaker and illustrator, has produced music for film and been a teacher of animation.
Sonya Teich
Sunny Teich is a VFX artist and writer, currently engaged in artistic research at The Norwegian Film School. With a computer science degree from the University of Pennsylvania, she developed an expertise in simulation while working on feature films at major international studios including Disney Animation, Weta Digital, and Framestore London. From 2018 to 2021, she was a Lecturer and Researcher in Design at Victoria University of Wellington.
Juan Vassallo
Juan Sebastián Vassallo is a composer and sound artist based in Bergen (Norway), holds a Master´s degree in Interdisciplinary Studies (Music and Psychology), and currently pursuing his PhD in Artistic Research at the University of Bergen. His previous work has been characterized by collaborative and interdisciplinary artistic endeavors that approach the musical and sound phenomenon by exploring production possibilities that arise from the interaction between traditional musical expressions and new technological devices, as well as digital synthesis and real-time processing of sound, coupled with instrumental improvisation and chance, resulting in non-predictable and unrepeatable new musical and sound spaces. His current research aims to explore possibilities for human-computer interaction and artificial intelligence in contemporary composition, seeking to develop meaningful connections between sound, music, and human language.
Sergej Tchirkov
Sergej Tchirkov (University of Bergen, Faculty of Fine Art, Music and Design, The Grieg Academy - Department of Music) studied accordion performance and music pedagogy at the Rimsky-Korsakov Conservatory in St.Petersburg. He was awarded prizes at many international competitions and received the scholarship from the European Centre of Arts Hellerau. His research interests focus on digital and postdigital art, transdisciplinary genres, co-creative aspect of performance practice, curatorial practice in music, and artistic research. His interest in new music has led him, as a performer, to numerous collaborations with composers. Around 300 works for/with accordion have been premiered by Tchirkov. A regular guest musician of Collegium Novum Zürich, Proton Ensemble Bern and Batida Ensemble Genève, Sergej Tchirkov has also performed with Ensemble Interface Frankfurt, Ensemble für Neue Musik Zürich, ensemble Garage Köln, AJO ensemble Bodø, Moscow Contemporary Music Ensemble, United Berlin, KNM Berlin, the Mariinsky Theatre Orchestra, the St.Petersburg Philharmonic Orchestra, musicAeterna Orchestra, State “Svetlanov” Orchestra, BRSO and more. Tchirkov has been a guest lecturer at many European universities and academies of music including Zurich University of Arts, Lucerne University of Arts, Gothenburg University, Norwegian Academy of music Oslo, Kazakh National University of Arts Astana. In 2011-2014 he taught at the International New Music Academy organised by the Moscow Contemporary Music Ensemble. From 2013 to 2021 he was deputy artistic director of the Studio for New Music ensemble and worked as a university lecturer of Contemporary Music Department and researcher at the Moscow Tchaikovsky Conservatory. He currently works as a research fellow in artistic research at the University of Bergen, Department of Fine Art, Music and Design, the Grieg Academy.
Sidsel Christensen
Sidsel Christensen is a visual artist and currently Ph.D research fellow at The Art Academy, KMD in Bergen. While remaining a working relationship throughout Scandinavia and the UK, Sidsel holds a BA from Goldsmiths (2006) and MA from the Royal College of Art (2010)in London respectively. She maintains a crossdisciplinarity focus, that traverses the artistic areas of New Media and Installation, and engages in spatial, textual and performative practices. Currently, her research is manifested in the arena of “performative installations”, consisting of bigger audio / visual assemblages in the gallery, that create a framework for performative gestures and interactions. Sidsel has presented her work in range of art institutions and contexts, amongst others Stavanger Art Museum, Kunsthall Stavanger, Rogaland Kunstsenter, KINO KINO, Kunstnerenes Hus, Perfomence Art Bergen, Gallery Entrée in Norway, as well as The Institute of Contemporary Art (UK), Photo London (UK), The Tetley (UK), Hjellegjerde Gallery (UK), David Roberts Art Foundation (UK), VEGA ARTS (DK), X and Beyond (DK), CPH:DOX (DK) Ancharpark (DE) and Insitu (DE) and The Stedelijk Museum Amsterdam.
Tijs Ham
Tijs Ham ('81) is a Ph.D. candidate in Artistic Research within the music department of the faculty of Art, Music, and Design of the University of Bergen, Norway. His artistic practice is situated in the field of live electronic music with a particular focus on the exploration of chaotic processes as he designs new electronic music instruments, develops often audio-visual compositions, and performs these onstage. Before moving to Norway, Ham worked at 'STEIM (The Studio for Electro-Instrumental Music)' in Amsterdam, The Netherlands. He is a founding member of 'The Soundlings Collective', releases music under the moniker 'Tapage', and is a member of the live electronics trio 'The Void*'.
Heloise Baldelli
Héloïse Baldelli is a PhD student in artistic research at the University of Stavanger, Department of Classical Music, since December 2020. Her project focuses on the performance practice of modernist French songs. She is particularly interested in the composer Satie and in how to infuse elements of current pop-cultural phenomena into the performance tradition of his works. Héloïse comes from two generations of artists, amongst which important representatives of the Italian modernist movement. Prior to becoming a singer, she was a dancer and a professional make-up artist and plans to draw inspiration from these personal circumstances in her artistic practice.
Kristoffer Albers
Kristoffer Alberts comes from Oslo and is a saxophonist with a master's degree from the Norwegian Academy of Music. The concept of improvisation has followed him throughout his performing career. Through a dozen releases individual and as a participating ensemble member, he has acquired an international network of improvising musicians, that has served as the platform for his artistic research, which is based on recording and editing isolated improvised material.
Vidar Schanche
Born July 5, 1978. Schanche has been living in Stavanger since 2008, where he is strongly involved in the city's music scene. He is among others part of the music collective Kitchen Orchestra who has worked with Alexander von Schlippenbach, Keith Tippet, Evan Parker, Lotte Anker, Django Bates, among others.
Vidar's musical expression can be defined as a mix of rock, electronic effects, jazz and improvised music. Schanche has worked / works with the following bands and artists: EGG3, The Norwegians (Twin Peaks in Concert), The Mechanical Forest, Morten Abel, Kitchen Orchestra, Pocket Corner / Extended Corner, Gunhild Seim's "Story Water», Randi Tytingvåg, Athana / Schanche. He has been a Research Fellow since 2018.
Jakob Oredsson
Jakob Oredsson is an artist, architect and scenographer, currently Artistic Research Fellow at Norwegian Theatre Academy (NTA) with the project Scenography as Symbiosis, 2020-2023, which seeks to outline an ontology of scenography, exploring how scenography exists. After receiving a BA in scenography from NTA, Jakob studied architecture at The Cooper Union and The Pratt Institute in New York and received an MA in Architecture from The Royal Danish Academy of Fine Arts in Copenhagen. Oredsson has realized works in public, gallery and theatre contexts. Works which seek to queer binaries such as art-context, active-passive and culture-nature, accentuating ambiguity and embracing flat ontology. Since 2018 Oredsson has held the position as Assistant Professor in Scenography at NTA.
Thomas Talawa Prestø
Thomas Talawa Prestø is the founder and artistic director of Tabanka African & Caribbean Peoples Dance Ensemble in Oslo, Norway. Tabanka Dance Ensemble is northern Europe’s largest full time black dance company. The company and its associated movement technique, the Talawa Technique, has been 21 years in the making. The company works outside the western canon of art production creating highly kinetic contemporary work drawing from African, Caribbean and Diasporan movement practices. Prestø's work seamlessly merges ancestral movements, culturally contextualised vocabulary and contemporary movement sensibilities. It bridges the gap between vernacular freestyling, traditional and contemporary Africana dance whilst making a clear distinction between aesthetic and technical choices. An artivist, dynamically bridging the position of artist and activist, Prestø has been been a vocal dance advocative for Black Lives Matter in Norway. Thomas Talawa Prestø is currently a research fellow with the artistic project Anansis Web. The project looks particularly on how art, and especially dane create by people “dancing in the pressure cooker” has been used for subversive power, affirmation of identity, and “embodying soul” when turned into an object (enslavement) etc.
Anna Lindal
Freelance (bio) / Presenting: VIS#7
Anne-Helen Mydland
Professor, University of Bergen (bio) / Presenting: Advancing Supervision for Artistic Research Doctorates
Ingrid Milde
Adviser, The Norwegian Artistic Research Programme / The Norwegian Directorate for Higher Education and Skills / Presenting: A door opener in the Arts field - Graduate Survey
Tor Halmrast
Composer and Acoustican (bio) / Commenting: Reconfiguring the Landscape
Jeremy Welsh
Artist and former professor of Fine Art at The Norwegian University of Science and Technology, Faculty of Architecture and Fine Art and Bergen Academy of Art and Design (bio). Moderating: Amphibious Trilogies, Kalle Moberg, Tijs Ham
Knut Olaf Sunde
Composer (bio) / Moderating: Lisa Streich, Mari Koppanen, Peter Knudsen, Sara Eliassen, Sergej Tchirkov, Solveig Wiik, Trygve Selnes Nielsen
Maureen Thomas
Professor Emerita, The Norwegian Filmschool. Inland Norway University of Applied Sciences (bio) / Moderating: Jenny Perlin, Nadja Lipsyc, Sonya Teich
Merete Røstad
Associate Professor, Oslo National Academy of the Arts, Art and Craft (bio) / Moderating: Marianna Bastashevski, Petrine Vinje, Robel Temesgen
Silje Aker Johnsen
Composer (bio) / Moderating: Håkon Daniel Nystedt, Juan Vassallo
Solmund Nystabakk
Moderating: Heloise Baldelli, Idin Samimi Mofakham, Ingar Zach, Ingeborg Dalheim, Kristoffer Alberts, Robert Seaback,Vidar Schanche
Trond Lossius
Professor, The Norwegian Filmschool, Inland University of Applied Sciences and The Grieg Academy, University of Bergen (bio) / Moderating: Reconfiguring the Landscape
Øystein Elle
Associate Professor, Norwegian Theatre Academy, Østfold University College (bio) / Moderating: Dler Miriam Dalo, Jakob Oredsson, Thomas Prestø
