4.1 ET EGO AND ET EGO TAPE VERSION
et ego,for guitar and electronics, is one of the first pieces that I wrote using piezoelectric microphones.
4.5 PIANOMUSICBOX_1
PianoMusicBox_1 is a piece for piano and electronics, written for the pianist Chiara Saccone, and premiered...
In this last part, I will present the main artistic outputs of my research. With the exception of a couple of electroacoustic works, all of the pieces presented are compositions for acoustic instruments implemented with the use of piezoelectric microphones. For each work, I will explain the technical setup, the context for which the piece has been written, and the compositional practice. Every piece tells something different about the use of the piezoelectric microphones and the way they have interacted and interfered with the embodied practices and habits implied in each instrumental system. But also about how piezoelectric microphones have influenced my relationship with musical material, allowing me to develop a more conscious compositional approach.
4.2 PROSSIMO
Prossimo, for violin and electronics, was written during the artistic residence St.A.i.R Styria Artist in Residence Program by Steiermark - Österreich, in Graz, between February and April, 2017...
4.6 RESIDUAL
Residual is a piece for ensemble and electronics, premiered by Hermes Ensemble at the Concertgebouw in Bruges, on November 21st, 2019.
4.7 TICKLING FOREST
Tickling Forest is an electroacoustic piece written for an eight-channel surround system. The piece should have been performed in SARC in 2020 by Juan Parra Cancino...
4.3 PROSSIMO II, PROSSIMO III AND SISTEMA DI PROSSIMITA'
After the composition of Prossimo, I decided to go deeper into the exploration of the possibility of using piezo microphones with stringed instruments.