References


 

Alloway, Lawrence (1981). “Sites/Nonsites” In Robert Hobbs (ed.), Robert Smithson: Sculpture (pp. 41-46). Ithaca: Cornell University Press.

 

Bordwell, David and Kristin Thompson (1997). Film Art. An Introduction. New York: McGraw-Hill Publishing Company.

 

Burch, Noël (1982). “Narrative/Diegesis – Thresholds, Limits.” Screen 23/2: 16-33. 

 

Chattopadhyay, Budhaditya (2021a). The Auditory Setting: Environmental Sounds in Film and Media Arts. Edinburgh: Edinburgh University Press.

 

Chattopadhyay, Budhaditya (2021b). Between the Headphones: Listening to the Practitioner. Newcastle upon Tyne: Cambridge Scholars Publishing. 

 

Chattopadhyay, Budhaditya (2018). ”The World Within the Home: Tracing the Sound in Satyajit Ray’s Films.” Music, Sound, and the Moving Image 11/2: 131-156. 

 

Chattopadhyay, Budhaditya (2017). ”Reconstructing Atmospheres: Ambient Sound in Film and Media Production.” Communication and the Public 2/4: 352-364. 

 

Chattopadhyay, Budhaditya (2016). “Being There: Evocation of the Site in Contemporary Indian Cinema.” Journal of Sonic Studies 12.

 

Chaudhuri, Amit (2013). “Satyajit Ray: a retrospective.” Financial Times, August 9. 

 

Chion, Michel (2009). Film, a sound art. New York: Columbia University Press.

 

Chion, Michel (1994). Audio-Vision: Sound on Screen (trans. Claudia  Gorbman). New York: Columbia University Press.

 

Doane, Mary Ann (1985). “Ideology and the Practice of Sound Editing and Mixing.” In Elisabeth Weis and John Belton (eds.), Film Sound: Theory and Practice (pp. 54-62). New York: Columbia University Press.

 

Eisenberg, Andrew J. (2015). “Space.” In David Novak and Matt Sakakeeny (eds.) Keywords in Sound (pp. 193-207). Durham: Duke University Press. 

 

Gorbman, Claudia (1987). Unheard Melodies: Narrative Film Music. Bloomington: Indiana University Press.

 

Grimshaw, Mark (2011). Game Sound Technology and Player Interaction: Concepts and Developments. Hershey: Information Science Reference, IGI Global. 

 

Hayward, Susan (2006). Cinema Studies: The Key Concepts. London: Routledge.

 

Holman, Tomlinson (2002). Sound for film and television. Boston: Focal Press. 

 

Kassabian, Anahid (2013). “The End of Diegesis As We Know It?” In John Richardson, Claudia Gorbman, and Carol Vernallis (eds.), The Oxford Handbook of New Audiovisual Aesthetics (pp. 89-106). Oxford: Oxford University Press.

 

Kerins, Mark (2011). Beyond Dolby (Stereo): Cinema in the Digital Sound Age. Bloomington: Indiana University Press.

 

Kwon, Miwon (2002). One Place after Another: Site-Specific Art and Locational Identity. Cambridge: The MIT Press. 

 

Morton, Timothy (2009). Ecology without Nature: Rethinking Environmental Aesthetics. Cambridge: Harvard University Press. 

 

Percheron, Daniel (1980). “Sound in Cinema and its Relationship to Image and Diegesis.” In Rick Altman (ed.), Yale French Studies Number 60: Cinema/Sound (pp. 16-23). New Haven: Yale University Press.

 

Wayne, Mike (1997). Theorising Video Practice. London: Lawrence & Wishart Limited.

 

Weiss, Allen S. (2011). Varieties of Audio Mimesis: Musical Evocations of Landscape. Berlin: Errant Bodies Press.