an introduction, from stereo to ambisonics

The reason for this guide.

Mi experience with space, stereo and ambisonics

 

What i think it's missing out there

a lot of people work with stereo, stereo is the standard, what is stereo

in what way is ambisonics different and why are we using it?


As musicians, composers and sound designers we find ourselves mainly working in stereo format. Not only stereo has become our standard of choice, but it seems also a very logical conclusion based on the fact that we listen with two ears.