Silence surrounds us, silence around us – on creativity in communication by Erika Matsunami

Silence surrounds us, silence around us – on creativity in communication, which interacts with and addresses the theoretical and practical exploring of the artistic research for Green x (2022 –). Simultaneously, it might be possible to create an artistic method of intervention artistically, which aims at the theoretical level evolutionally. Is language the tool? If it is yes, what kind of tool is the language? Through the language, what can we produce and provide? Thereby, I address the topic of creativity in communication in reading silently, speech, and listening. On creativity in communication is a play to draw models. Thereby the leitmotif is "reading". Critical seeing in a model on reading subjectivity and objectivity at the online artistic representational level, Question for on creativity The research objective(s) is a future idea for physical space and its mobility within virtual space (potentiality) for a new type of idea for notation between tradition and modernity. In this aspect, towards international communication gaps between tradition and modernity, DADA solved the issue of communication and explored a new way of communication, that was not a philosophical metaphor, but rather that consisted of semiotics and semantics in the context of design, was creative. – New visual and auditory codes. Thereby I deal with “Tractatus logico-philosophicus”, that is a logic of nonsense by Wittgenstein in the theme of space, body and time. "Silence surrounds us, silence around us" is an artistic research series, after "N.N-Zwischenliegend", I have been started to explore in 2020, after the corona-pandemic.

Sound work „es (it)“ :

Experimental Poem „es“ and Sound composition „es (it)“, by Erika Matsunami, 2022

Sound composition es (it):

The starting point of this sound composition is Human DNA in molecular biology. Organic time in the body is affected by the universe. Where we are on earth, namely, it's the circular dynamics, which is diverse for us. Therefore, I considered time to be a collection of overlapping cycles, not a one-linear. I think that eternity is a movement between those time-spaces. It is dynamic rather than static.

Experimental poem es (it) is based on an alphabetic play in German. Actually, it would consist of our bodily memory in terms of genetic memory through our brain, in general, it calls knowledge. Metaphorically 'it' is our awareness, suggesting the direction, probably it is our 'will'.

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