Secrets of Creativity: What Neuroscience, the Arts, and Our minds Revea, Nalvantian, Susanne, Matthews, M. Paul (edit), OUP, 2019
In Beauvoir's generation; the fair relationship between man and woman, Respect for the individual and Elimination of social class, and so on
In our generation; the fair international relationship between different races and nationalities, Social reform from the inside, and so on
Christoph Schlemmer is an actor and a queer, he has a steady boyfriend, as well as a visual artist Erika Matsunami is a queer in post-feminism, no separatism and no Man rights principle.
No separatism is for contemplation of human rights including political and social rights as well as freedom of expression in society, not oriented in utopianism.
I asked an actor Christoph Schlemmer for reading my poem „es“, because I knew that he is a queer, not a role-play.
Post-Feminism is not separatism, but rather in the context of queer study globally today in the 21st century
"es" is something between body and mind subjectivity. But it is not psychological objectivity. I explore it literary in the art and through the art.
Kate started to learn Karate with her father in Venice when she was a kid.
When I met her in Berlin, she was a black belt of karate, she had the dan, that was her leisure activity. She had the Karate courses - Self-Defence for women at the feminist centre in Berlin.
Her father was a Venetian and an activist of the Worker Union Veneto in postwar. The Italian-Venetian Avant-Garde composer Luigi Nono was thereby an activist also.
In our generation, we do not any classical political movement with the ideologies, rather for the new life, and critical towards the classical capitalism.
I had questions about Love, as well as Yoko&John, Hideko&Etsuo, what is 'love'?
However, Love affects our lives profoundly.
During the war, it was ordered to fight for "love", and after the war, it was believed to work for "love".
The question for hetero- and homosexual classical monogamy as a myth of pure love is, does 'pure love' like a God's love (Swear to god forever) exist?
Love of Hideko&Etsuo was like a family, friend and partnership, particularly for the aim of their fate, was the dropping atom bome. It was very limmited to trust to someone.
Listening to people is not a duty or moral. If you don't want to hear it, you don't have to hear it, and if you don't want to see it, you don't have to see it. Please judge for yourself.
An interview with Martin Rosengaard, by Erika Matsunami who is a Danish contemporary art curator, lives and works in Copenhagen.
He is a co-founder of wooloo.org and Human Hotel. December 2020
This is in the case of Japan, the medical doctor cannot force the patient. Thereby the patient needs to have knowledge of general medicine. Without love is authority.
If the medical doctor does not lovely to his/her patient in contemporary law, is punishable today, because of contemporary humanity and human rights. Discriminatory things should never be said, and discriminatory judgments should never be made.
From the aspect of Queer studies, I am Non-binary and pronouns they/them, form/manner of address is not so important in my original culture of Japanese, because there is not form/manner of address of formalism, there is just for the form of politeness, e.g. as "-san (さん)". - Social manner and colonialism as well as racism by Western formalism
Today, we call it 'social role'.
From the genetic aspect, whether I can define my gender by myself, that I am not sure currently, especial after the corona pandemic in 2020, and its systematic digitalisation of the governance. I am 100% sure, my gene is so-called 'female', medically, sex chromosome is the X and the Y.
In this emergency, "stationary" was one way to solve it. "stationary" was, for example, checking the situation and reporting the damage and regional solidarity was necessary. The activities and demonstrations were, in reality, a dilemma.
Idea is not holistic but from the perspective of molecular biology. It means that the idea of wholeness is rather the opposite of holistic.
The idea of holistic is rather a functional or figurative whole, and another idea from the perspective of molecular biology is phenomenological, topological, and transversal.
"Immersion Into Noise"–Joseph Nechvatal research is from Duchamp's in Nihilism, and my research is from Paul Klee's–Topological reading in plurality
Corona infection spread:
An example in Berlin,
This week, the performance at the opera in Berlin was cancelled due to a positive result of four performers in the corona infection test every two days.
The number of spectators and the number of people involved are more than 1000.
The spread of corona infection is still very serious. If that continues, this theatre may have to close for a while.
However, the current corona infection spread policy seems to be controlled at the ensemble level. At this moment, I don't think to need the lockdown in Berlin, probably it doesn't need yet. Even though the symptoms of the corona variant Omicron are mild, they are highly infectious and fast, so we need to be alert. I think that medical care, especially internal medicine, is difficult because there are many infected patients. Patients with other illnesses will not be able to be fully treated.
- 1. Band: Die Sprache, 1923
- 2. Band: Das mythische Denken, 1925
- 3. Band: Phänomenologie der Erkenntnis, 1929
Medical personnel and their bereaved families who died from the spread of the coronavirus infection also have rights.
They have an urgent and undeniable obligation to any patient.
Responsibility for those who died while waiting at home is being pursued in Japan.
"Immersion Into Noise" is not the same with immersive noise. immersive noise is often so-called in artistic intervention, by the negative use is such as troublemaking, protesting, and so on.
"Immersion Into Noise" is rather philosophical contemplation in post-atomism from the aspect of molecular biology in the 21st century.
Protests by demonstrations spread corona infection expansion, causing seriousness, and also poverty. This was the same dilemma as well in Germany and in the USA. The question for the way of the democracy towards politics and governing. Economic problems and financial difficulties due to collapse of medical system and expansion of corona infection.
Proteste zwischen Pandemie, Polizeigewalt und Armut: Kolumbien findet keinen Frieden
Inmitten der akuten Pandemiekrise gehen in Kolumbien seit dem 28. April hunderttausende Menschen auf die Straße. Die Proteste richten sich gegen Präsident Duques Steuer- und Sozialpolitik sowie die Polizeigewalt. Das Land gleicht einem sozialen Pulverfass. Ein Gespräch mit Florian Huber, Leiter des Büros der Heinrich-Böll-Stiftung in Bogotá.
I think that New Zealand is one of the countires has taken an appropriate democratic treatment.
https://www.worldometers.info/coronavirus/country/new-zealand/
Sexuality and Politics, its privacy policy:
Corona infection expansion and its policy dilemma. This will continue from now on. It is an important theme, including vaccination of other infections e.g. Vaccine protection from HIV virus infection.
Those themes are private.
At the same time, also the data protection.
Is must the vaccination be the duty or not?
The health care system
Economy and finance
Corona-Pandemie, Impfstoffverteilung und globale Gerechtigkeit: eine Zwischenbilanz
Wir erleben zwei sehr verschiedene Pandemierealitäten zwischen Ländern mit niedrigem und hohem Einkommen. Anstatt sich um eine solidarische Antwort zu bemühen, hat die internationale Gemeinschaft in dieser Gesundheitskrise leider wieder einmal ihre Uneinigkeit demonstriert. Nun gilt es, Glaubwürdigkeit zurückzugewinnen und Vertrauen wiederaufzubauen.
Zanele Muholi bezeichnet sich selbst als visuelle*r Aktivist*in und dokumentiert seit den frühen 2000er Jahren das Leben der Schwarzen LGBTQIA+-Community Südafrikas in eindrücklichen, intimen Fotografien.
Attitude in contemporary ethics, the study by liberating, not banning. And you have to take the risk yourself.
Lesbian, gay, bisexual and transgender (LGBT) people in South Africa enjoy the same rights as non-LGBT people. South Africa has a complex and diverse history regarding the human rights of LGBT people. The legal and social status of between 400,000–over 2 million lesbian, gay, bisexual, transgender and intersex South Africans has been influenced by a combination of traditional South African mores, colonialism, and the lingering effects of apartheid and the human rights movement that contributed to its abolition.[1]
South Africa's post-apartheid Constitution was the first in the world to outlaw discrimination based on sexual orientation, and South Africa was the fifth country in the world to legalise same-sex marriage. South Africa is to date the only country in Africa to have legalised same-sex marriage. Same-sex couples can also adopt children jointly, and also arrange IVF and surrogacy treatments. LGBT people enjoy constitutional and statutory protections from discrimination in employment, the provision of goods and services and many other areas.
Nevertheless, LGBT South Africans, particularly those outside of the major cities, continue to face some challenges, including homophobic violence (particularly corrective rape), and high rates of HIV/AIDS infection.
I took the HIV virus infection test in Germany, after the implant OP accident, because I had an unknown Rapid increase in inflammation level in blood due to the immune system destroy. Even if you are not a sex worker, you can get infected if you are a human. I have no sexual relationship with my friends, just I thermalised about únknown causality illness (that is immune system destroy generally) with my friends. Professional artists do not have sex with colleagues, that is moral in the art, but there are couples. Because of against any authorities in the art. The problem with amateurism, as well as hetero sexual dominant commercialism is that it disrupts the morals "against any authorities in the art" of (Western) professional art. Art is an intellectural business.
analysiert und vergleicht weltweit Transformationsprozesse zu Demokratie und Marktwirtschaft und identifiziert erfolgreiche Strategien für den friedlichen Wandel.
The problem with treating complex intractable diseases, including infectious diseases, is that the cost of treatment is not cheap. It is to expand the world's poor.
- Blood.
- Semen (cum) and pre-seminal fluid.
- Rectal fluids.
- Vaginal fluids.
- Breast milk.
https://www.hiv.gov/hiv-basics/overview/about-hiv-and-aids/how-is-hiv-transmitted
Seit den 1980er Jahren leistet Dayanita Singh Pionierarbeit auf dem Gebiet der Fotografie und überwindet immer wieder die Grenzen des Mediums.
Metaphor and Metonymy:
Dirven, René (2003). "Metonymy and Metaphor: Different Mental Strategies of Conceptualisation".In Dirven, René; Pörings, Ralf (eds.). Metaphor and Metonymy in Comparison and Contrast (revised ed.). de Gruyter. pp. 75–112. ISBN 9783110173741.
The couple metaphor-metonymy had a prominent role in the renewal of the field of rhetoric in the 1960s.
Moral includes duty, which is often by the public rule, and its judgement and discussion in the society, such as on normality
Etiquette is thorugh the human relationship such as compassion, consideration, respect, affection, and so on.
Rhizome as a philosophical concept used to describe systems with no clear beginning or end, such as the internet. The term was developed by Gilles Deleuze and Félix Guattari in their Capitalism and Schizophrenia (1972–1980) project. It is what Deleuze calls an "image of thought", based on the botanical rhizome, that apprehends multiplicities.
(Poly)amouröse Selbsterkundungen
https://www.hoerspielundfeature.de/feature-alle-poly-100.html
Simone de Beauvoir und Jean-Paul Sartre lebten in einer offenen Beziehung.
https://www.deutschlandfunkkultur.de/polyamorie-weil-liebe-nicht-exklusiv-ist-100.html
Number of People with HIV—There were approximately 37.7 million people across the globe with HIV in 2020. Of these, 36 million were adults and 1.7 million were children aged 0-14 years. More than half (53%) were women and girls.
https://www.hiv.gov/hiv-basics/overview/data-and-trends/global-statistics
The period from infection to development of anti-HIV antibodies is usually less than 1 month but may be up to 3 months; newer tests have a shorter window period, where a false negative result may be obtained early in infection.
https://www.healthline.com/health/hiv-aids/hiv-symptoms-timeline
Joseph Nechvatal told in his interview, that his girlfriend was HIV positive in the USA, in the 1980s, he could not have sex with her.
My friends are all negative, including me, who I know inspected.
I think that one can feel free to inspect it today, is not like a death sentence in the 1980s.
Joseph Nechvatal: Burroughs clearly was an influence that dovetailed with my body-centered commitments to the virus in the early 1990s that was a response to the AIDS epidemic. I had a girlfriend who died of AIDS very early on and it was horrifying to see and very frightening. I imagined I had the virus without having the courage to get tested right away. I practiced safe sex but lived with this doomy possibility hanging over my head in the late-1980s.(
(Interview of Joseph Nechvatal by Nicolas Ballet recorded live on September 20th 2015 chez Nechvatal in Paris)
Post education theory in the arts -> i.e. Postresearch condition
empirical, autonomy, independently, individually, collective, and without curriculum and ideal norm, and so on
- to recognize each ability and individual difference
The transition to education that does not let a student drops out, rather than education that imposed from above.
A post-education theory is based on the emotional intelligence that does not make humans into the ideal shape.
Currently, unconventional education is progressing,
But,
A generating collective knowledge, but in which ways?
In the 21st century, in post-postmodernism in the arts, everything is working in progress.
Certainly, social layers tend to be grouped by knowledge differences at the individual level rather than gender, age, social state, or nationality.
Questions about the evolution of the virus:
Isn't the origin of the virus declining as it evolves?
Nevertheless, that doesn't change the nature of the virus.
A virus is a virus.
Is the virus a substance that breeds in animals and evolves with animal DNA, but kills animals?
Does the virus exist in the cell degradation of death?
The difference between Germans and we Japanese:
Germans in their historical responsibility for the secon world war is, Germans have a national consciousness that they were not bad.
We (in my generation) have a will that never repeats the same thing as that generation.
I described 'articulation' and its naivety in this video, but this naivety is our biological originality from the aspect of molecular biology.
Post-structuralism
Major French philosophers associated with post-structuralism, post-modernism, and/or deconstruction, including Jean-François Lyotard, Michel Foucault, and Jacques Derrida, engaged deeply with both Marxism and psychoanalysis. Most notably, Gilles Deleuze and Félix Guattari collaborated on the theoretical work Capitalism and Schizophrenia in two volumes: Anti-Oedipus (1972) and A Thousand Plateaus (1980).
Both Marx and Freud were Jewish atheists who developed distinctive critiques of religion. In his 1965 book Freud and Philosophy: An Essay on Interpretation, the French philosopher Paul Ricœur compared the two (together with Friedrich Nietzsche), characterizing their common method as the "hermeneutics of suspicion".
Darwin's theory of evolution and its mistake:
Animism and Marxism in the Japanese Imperialism in the early of the 20th century was the political strategy by Emperor Hirohito (Showa Emperor), that was, he had the transcendence position between God and people which referred to the sect of Shintoism, was used in commercialism politically.
In postwar, there was 'Charisma' in commercialism economically.
In Marxist philosophy, Antonio Gramsci defined cultural hegemony as the ruling class's manipulation of the value system and mores of a society, so that the ruling class perspective is the world view of society;[5] thus, in the relations among the social classes of a society, the term hegemony describes the cultural dominance of a ruling class, which compels the subordination of the other social classes.[6]
Major French philosophers associated with post-structuralism, post-modernism, and/or deconstruction, including Jean-François Lyotard, Michel Foucault, and Jacques Derrida, engaged deeply with both Marxism and psychoanalysis. Most notably, Gilles Deleuze and Félix Guattari collaborated on the theoretical work Capitalism and Schizophrenia in two volumes: Anti-Oedipus (1972) and A Thousand Plateaus (1980).
I think that we don't know what is 'evolution' of humans even today.
What is change?
Basically, it hasn't changed that much. That is the same as 'a virus is a virus'.
From these aspects, against the human race by other human race, its so-called Racism against race is a silly story.
Darwin had worked on and explored in the Christian context.
Adam and Eve are rather stories of morals in Idealism in the Christian context. It is not the quest of "what is the human being?" But rather it is the moral of "human being should be".
In fact, the world is democratic, but...
https://commons.wikimedia.org/wiki/File:Forms_of_government_2021.svg
Many of the teachers at the Yoyogi Seminar in Tokyo were dropped out of the University of Tokyo or graduated from the University of Tokyo, and were opposed to conservatism and nationalism of the academy in Japan. These generation of the high educational generation who rejected the academic career, they had very complex way of thinking and had high IQ, is Joseph Nechvatal's generation in Japan. Therefore, those who rejected the Japanese Imperial feudal male rights society, who were neither academic nor employees of international Japanese companies.
At that time, there were very few women, and Chizuko Ueno is a rare type of Japanese sociologist and radical feminist (the new left in postwar) of the Zenkyoto generation. She is an honorary professor at the University of Tokyo. In the 2000s, in Japan, her books were damaged in the library by the Japanese right-wings. (I think that was around 2008. She sued them and protected freedom of expression.)
There was a conservative moral at that time such as "Women are cute when they are stupid". It was a virtue to follow by the order.
One of the teachers, a superstar of the Yoyogi Seminar, earned a postdoctoral degree in philosophy at a German university, he became a professor and taught at the university in Germany in the early 2000s.
At the end of the 1970s, Gilles Deleuze was not irrelevant for me in Japan.
What is in common with Joseph Nechvatal is the books, from the 1950s – 1990s, which are philosophical books I have read, but from an opposing point of view, probably from Western and Non-Western, is interesting for me, like transversal thinking and reflective recognition.
But for the last few years, it's back in the '70s. Even if it is called a reversion, it is a new world composition like the Neo Cold War.
Russia and Belarus attacks on Ukraine are obvious harassment and bullying. It is a counterattack against economic sanctions to the West. The country on the eastern side is becoming poorer. However, it is not Ukraine in the 21st century but the eastern side might be possible to starve to death.
What is different from the 1970s is that, in fact, in Western countries including Japan, generations changed, and at the same time as liberalization, higher education progresses. Therefore Anti-discrimination and gender equality are also advancing. The struggle with the feudal society has become internationalized and has become a problem with the so-called Third World today.
Gilles Deleuze (/dəˈluːz/; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art. His most popular works were the two volumes of Capitalism and Schizophrenia: Anti-Oedipus (1972) and A Thousand Plateaus (1980), both co-written with psychoanalyst Félix Guattari. His metaphysical treatise Difference and Repetition (1968) is considered by many scholars to be his magnum opus.[1]
However, the problem with current animism is alienated from modern society due to its spirituality and its mystery. e.g. In Turkey, the ritual is allowed only for commercial. (Between the political position (Nationalism) and UNESCO in Anthropology)
Capitalisation is centralisation as the system, it's the same whether Socialism, Communism or Capitalism.
In the current Japanese system, the change to the presidential system would be like a model of Russian dictatorship and the privileged society, due to the Japanese Patriarchy.
Germany is the Federal, Japan is the Unitary.
Finally, Marx's theory was successful, but also was decadent. And why?
That is because humans must grow with advances in science, technology and the economy.
One is the idea of 'competition' and its normativity in Marxist's context.
I am critical on Marx's, due to psychological play in term of Idealism.
However, his idea was one of intelligent solution of the deconstruction in the Western Bourgeoisie system, as well as Imperialism.
United Kingdom:
Government | Unitary[e] parliamentary constitutional monarchy |
---|---|
• Monarch
|
Elizabeth II |
Boris Johnson |
My youth :
When I was in high school, I had no time to play (such as traveling, or got to the cinema or the dance. At that time, there was still a moral that a "girl" under the age of 18 should not go out alone after 6 pm. Underage alcohol, tobacco and of course drugs are prohibited.) except for studying, dancing and art.
I've never fallen out at school. I mean, I've never had a problem with the study because I liked to study. I did not like so much to take the exam, but studying was like my hobby.
During my junior high school and high school days, the bullying and lynching incidents of teenagers became a social problem in Hiroshima City, and even if I went to a private high school, the school was not the centre of my life. In the summer, I took English, Japanese and math classes and exams at the Yoyogi Seminar in Tokyo. There was also an exam to take the Yoyogi Seminar in Tokyo, and the students were taking lectures and exams from excellent high school students in Tokyo and all over the country in preparation for the university entrance exam for the National univercity e.g. The Univestiy of Tokyo and the Private University.
I joined the art club (Guidance of an art teacher who graduated from Tama Fine Arts University) at the high school and I was active. And I studied the Japanese Traditional Dance-Theater, thereby I had the solo and assemble performances on the stage at the public theatre in Hiroshima city regularly.
My tutor was initially a student of the Faculty of Engineering at the University of Hiroshima. After his graduation from the university, my tutor was a student of the Faculty of Education at Hiroshima University.
At that time, I was already a generation of Japanese computer science. In society, I didn't really think about the difference between men and women.
At that time, the emperor of Japan was Emperor Showa (Kaiser Hirohito). I decided to study abroad because the feudal Japanese system of male rights did not fit me.
The (extreme) right-wings in Japan is still active, so sociological criticism is indispensable towards the emperor system as well. Many Japanese universities for example in Tokyo are right-wing universities. The issue of Textbook revision is one of them.
I don't want to write about Yoko Ono's, because her work has no political essence of Notwendigkeit in the Art. As a fashion, it is provocative towards Feudal people. ....
Feudal people turn innovation into a target. So, I don't want to be like the case of John Lennon. In my generation, we don't tied up by them (Japanese Feudalism). We are free under the Japanese Democratic Constitution. For example, I'm not a bourgeoisie like Yoko Ono, but I (could) studied abroad, and I organised by myself with my will, not for the national honor.
I read the review by Joseph Nechvatal, that he can do it. And I read it, and write as a reader from the perspective of under thier generation.
Louis Pasteur (1822 – 1895) was a French chemist and microbiologist renowned for his discoveries of the principles of vaccination, microbial fermentation, and pasteurization.
An anaerobic organism or anaerobe is any organism that does not require molecular oxygen for growth. It may react negatively or even die if free oxygen is present. In contrast, an aerobic organism (aerobe) is an organism that requires an oxygenated environment. Anaerobes may be unicellular (e.g. protozoans,[1] bacteria[2]) or multicellular.[3] Most fungi are obligate aerobes, requiring oxygen to survive. However, some species, such as the Chytridiomycota that reside in the rumen of cattle, are obligate anaerobes; for these species, anaerobic respiration is used because oxygen will disrupt their metabolism or kill them. Deep waters of the ocean are a common anoxic environment. [3]
The issue of the school book revision in Japan is soft fascism by the Japanese right-wings, which makes historical issues "taboo" academically.
The problems with terms such as discrimination terms are separate from the school books revision.
I am not a cultural critic. I am an indipendent artist and artistic researcher. Here, I am writing what I thought in the (different) societies between in Japan and in Germany/the EU.
-> I will respect for 'free will' of young people in the context of their natural truth, which is not manipulated. But, in which ways? this question refers to Kant's account of aesthetic judgment in 'me too' cultural society and its cultural phenomenology from the aspect of the critical theory.
In Leibniz's system of metaphysics, monads are basic substances that make up the universe but lack spatial extension and hence are immaterial. Each monad is a unique, indestructible, dynamic, soullike entity whose properties are a function of its perceptions and appetites.
https://www.britannica.com/topic/monad
(In other words, the (invisible) god centred system)
I think that one of the problems of the dictatorship in the presidential nation is "wrong AI management", which is a world issue. Probably, we can see it also in the case (political situation) of Russia noticeably.
For that and towards non-human and human society, we need to explore the new critical theory, as well as the new media theory practically and theoretically.
Monad (functional programming)
In functional programming, a monad is a type that wraps another type and gives some form of quality to the underlying type. In addition to wrapping a type, monads define two functions: one to wrap a value in a monad, and another to compose together functions that output monads (these are known as monadic functions).
So, we all are the variations from the original from the molecular biological perspective.
Neither evolution nor genetics can be "straight on the one-timeline".
No one can keep or copy the original, that is only once.
Robert Koch (1843 – 1910) was a German physician and microbiologist.
The Cultural in Cultural Phenomenology: It means the experiencing of the world as a way of repeatedly making the world, and making it in common. The aim of cultural phenomenology would not be to raise up the authentic, lived body of experience from the carapace of analysis and explication, because it would not believe there is any such authentic, lived body.
http://www.stevenconnor.com/cp/cultcp.htm
-> e.g. My childhood friends in Hiroshima are now doctors at university hospitals and they have an important position in cancer research. Another childhood friend who graduated from the faculty of Law at the Waseda University in Tokyo was employed by an American-owned company after graduation and then started a business. Then he built a great house in Tokyo. His mother's job was a remittance for his studies in Tokyo, and thanks to his mother and father. For them, he bought a new luxury condominium in the centre of Hiroshima City, which was more than 70 million yen (605.748,50 US Dollar). – Requital of favour or Retribution of favour is the Aesthetics in Daoism in a positive sense. But his mother did not seek anything from her son. His mother is a very nice person. Both of her children were happy with their parent always. His sister said even today, that she is happy with her parent. This family is not a special rich family.
The ideology is such as in North Korea, which is Confucianism, that Imperialism is based on this ideology.
Also his dad is a hibakusha. We were all working-class children, are my generation in Japan.
That is Aesthetics in Daoism, particularly in South Japan. Today, it applies not only to boys (male), but also to girls (female). So, the contemporary mothers in the working class give their effort for the children's education, but without authority, and they live with the new life and the new family style of the postwar. Children (next generation) are an immaterial treasure in the Aesthetics of Daoism. Their mothers are qualified professional women who graduated from economic high schools or colleges after the second world war in Japan, that is the same in China.
Parents often cannot see their child's (natural individual ability) future, even if they expect the future of their child.
Yoko Ono is conventional, even if she is a mother of her and John's son. Who was an innovative artist, was John Lennon.
Personal experience is not in a part of the statistic, the reason why I write about myself is not the dropout of Japanese higher education. I would like to explain to young people in the Third World that educational dropping out is not a social reform of the working class.
I think that's why the Third World hates American commercialism, that is a kind of Neocolonialism.
Art is an entertainment (with humor) and intellectual business, but, due to its negative art history, Japanese and German art academic and art world, perhaps it is by global standards, highly educated intellectuals are non-standard that is against perfectionism in high art as well as against xenophobia and discrimination, and its transcendence.
Joseph Nechvatal's generation as well as himself, art professional was only commercial art yet, particularly in the USA and Western European countries. But my generation as well as by myself, has been improving the non-profit/NGO in contemporary arts and humanities globally.
The issue of the non-profit/NGO in contemporary arts and humanities was artists had not received artist fees, was only the grant or the statutory compensation (Because for example the expense allowance in Germany is a statutory compensation/Gesetzlich vorgeschriebene Vergütung.) and it was very difficult to live by the art without commercially. However, since 2022 there are new rules in the EU and will pay to the professional artist the artist fee by non-Profit/NGOs. For that, with the introduction of digitalization and artificial intelligence since the corona pandemic in the EU, those legal standards had to be met.
I am very happy with our endeavour since 2007.
I don't want to write about Yoko Ono's work, probably, I think that I don't want to get involved in Japanese contemporary art commercialism. I want to concentrate on my own research profoundly.
Joseph Nechvatal is an artist who has been interviewed and answers very honestly.
I have no political right in Germany, even if I have received permanent residency permission in Germany in 2005, my political right is in Hiroshima city in Japan. For against racism in Germany democratically, therefore, I have no political right, only my right in Germany is protected under civil rights. Japan is my second residence place at my family, that is registered in Germany and Japan officially. Because my nationality is Japanese, that is the obligation in Japan, as well as in Germany.
-> In the context of cultural phenomenology, I mention the contemporary art that is 'transformative knowledge' and rather multiple and global levels of a collective of transformative knowledge through the internet such as the big data and the archived materials and its documents. There are no authentic and no terms in the academic context of 'knowledge'.
However, the exploration of contemporary collective "transformative knowledge" is interesting to explore human freedom, freedom of expression, digital medium as an art material and its communication, etc. in cultural phenomena, which is a part of cultural evolution at a global level. -> Page: Practical exploring
This paragraph alone is enough to show that the Western/European centred arts and humanities of the 20th century are close to superstition.
-> He specialized in international relations (particurally between USA and Japan) and excels in Business English.
-> Theoretical exploring model x 3, I am researching current "black" (not "white side", it will be grey.) art in contemporary artists who creates an innovative artwork for new life independently, that is a task in this theoretical exploring. -> Black is beautiful vividly and vivid life
Black is the vivid colour in the group of colours.
Knowledge is a familiarity or awareness, of someone or something, such as facts (descriptive knowledge), skills (procedural knowledge), or objects (acquaintance knowledge) contributing to ones understanding.[1] By most accounts, knowledge can be acquired in many different ways and from many sources, including but not limited to perception, reason, memory, testimony, scientific inquiry, education, and practice. The philosophical study of knowledge is called epistemology.
“Self-knowledge” usually refers to a person's knowledge of their own sensations, thoughts, beliefs, and other mental states.[11] A number of questions regarding self-knowledge have been the subject of extensive debates in philosophy, including whether self-knowledge differs from other types of knowledge, whether we have privileged self-knowledge compared to knowledge of other minds, and the nature of our acquaintance with ourselves.[11] David Hume expressed skepticism about whether we could ever have self-knowledge over and above our immediate awareness of a "bundle of perceptions", which was part of his broader skepticism about personal identity.[11]
Situated knowledge is knowledge specific to a particular situation. It was used by Donna Haraway as an extension of the feminist approaches of "successor science" suggested by Sandra Harding, one which "offers a more adequate, richer, better account of a world, in order to live in it well and in critical, reflexive relation to our own as well as others' practices of domination and the unequal parts of privilege and oppression that makes up all positions."[22] This situation partially transforms science into a narrative, which Arturo Escobar explains as, "neither fictions nor supposed facts." This narrative of situation is historical textures woven of fact and fiction, and as Escobar explains further, "even the most neutral scientific domains are narratives in this sense," insisting that rather than a purpose dismissing science as a trivial matter of contingency, "it is to treat (this narrative) in the most serious way, without succumbing to its mystification as 'the truth' or to the ironic skepticism common to many critiques."[23]
1. Art should not interfere with children's and teenager's learning.
2. The role of art gives an opportunity of a literary experience for children and adolescents dreams, hopes, disappoint and sadness for developing rich sensibilities.
3.
4.
5.
Thing(s) that adults don't have, only children have. It's a big future. All children have it in the world.
A big 'future' of children is an immaterial treasure.
Regarding her sexual identity, hooks described herself as "queer-pas-gay".[40][41][42] She uses the term "pas" from the French language, translating to "not" in the English language. hook describes being queer in her own words as "not who you’re having sex with, but about being at odds with everything around it".[43] She states, "As the essence of queer, I think of Tim Dean’s work on being queer and queer not as being about who you’re having sex with – that can be a dimension of it – but queer as being about the self that is at odds with everything around it and it has to invent and create and find a place to speak and to thrive and to live."[44]
What can we leave for their future? Knowledge? or Technology? or Hatred by the wars? or anything else? or something else?
The future of the child in front of you is immeasurable. Each one of them will be responsible for the world and will create the world in the future.
The audio guide for the exhibition in Kreuzberg, Berlin, it was a recording, where German and immigrant children visited the artist's atelier and talked about the works of the exhibition what they saw. – Chirdren's perception on the artwork
They talked about my artwork B.O.D.Y. (2010)- the wall installation
It was an art mediation project under the direction of Katharina Jedermann at the Institute for art and context by the University of Arts Berlin.
Arguments for nihilism
Argument from queerness
https://en.wikipedia.org/wiki/Moral_nihilism#Arguments_for_nihilism
Argument from explanatory impotence
Gilbert Harman argued that we do not need to posit the existence of objective values in order to explain our 'moral observations'.[14]
Harman, Gilbert (1977). The Nature of Morality: An Introduction to Ethics. New York: Oxford University Press. ISBN 9780195021431. OCLC 2725781.
I believe that morals are the conflict or contradiction, that is occurring between 'I' - the inner world and the outer world, not a measure that imposes on others. That is the different viewpoint with Idealism culture, which is towards Western commercialism.
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Marx's theory of 'capital' as a convert for the nation as a social and economic system:
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Immateriality in the context of society and its 'x' as an open account in the context of Marx's and Walter Benjamin's an open account 'aura'. Thereby the questions are for 'immateriality' which transcendence is in the context of Marx's, such as towards Beyond, and which is Benjamin's human aspect of environmental 'immateriality' or 'immateriality' in the environment, in other words, difference of 'x' without quantum's natural phenomenon (ideal, naturalism, and geistig phenomenological) in the context of Marx's and with quantum's natural phenomenon (without ideal, and natural phenomenological) in the context of Benjamin's, such as 'free will'.
Decentralization or decentralisation is the process by which the activities of an organization, particularly those regarding planning and decision making, are distributed or delegated away from a central, authoritative location or group.
Concepts of decentralization has been applied to group dynamics and management science in private businesses and organizations, political science, law and public administration, economics, money and technology.
Is it possible to make an experience through the reading? How do you politically understand and choose what you haven't experienced the reality in the world? But the reality is what's happening in the world, I need to deal with those issues in my environment.
I have to think for myrself and make my own free will, not be forced by someone in power.
But how? -> Reading in the informational society.
I will respond to Joseph Nechvatal's review with academic writing from the aspect of the 21st century. (in the works)
Yoko & John replaced the black movement with symbolism, creating a fashion called pop art in the 1970s, which was a part of the movement of FLUXUS towards the high art culture using the commercial strategy. It may have been transformed into a new transformative notion, but they couldn't touch on human rights profoundly. Human rights are the rights of the individual, which cannot be "represented" by anyone. Art cannot be copied and cannot be repeated. It's the same as not being able to repeat the age. Today, it is used by the commercial, are creating soft fascism in binary between good and bad phenomenologically, without the content of a person. (without truth of a person/persons)
It is opposed with it, that is the artwork by Joseph Nechvatal. Pop art (Andy Warhol) vs. Conceptual art (Marcel Duchamp) -> Question for Danto's.
As of the 21st century, it cannot be "regenerated" as a fashion. It is the artist's task to create new things.
In "still/silent", on Hiroshima, for the historical subject, I am a second generation of A-bomb survivors in Hiroshima-city, that dynamic with many others is also ongoing biologically, not a symbolic event.
Today's research on Ethics in the arts, which is for human rights, requires to explore from the aspect of molecular biology. That is one of the important tasks for the artists in contemporary society critically, i.e. normality and abnormality towards gene editing, society and environment as well as its milieu, and so on. Hence, it will be able to become out with a new lifestyle naturally. That is humans' autonomy and the 'free will' of humans at the intelligent level of humans naturally, that 'creation' through human life including technology and science is so-called civilisation.
In my artistic research method, it differs from the classic counterculture that emerges from the gaps between nature and actual states, which was originally from FLUXUS and their necessity in the post-war historical context. Their dynamic and fluid movement, which sort of art was based on the liberal arts and not commercialized, is one of my artistic challenges.
African future with ethnic and civil war issues in the African Politics, Post Pan-Africanism and Decolonization
On Ukraine: Kenyan ambassador's incredible speech to UN, 22 Feburary 2022
The content of individual level for the democratic discourse is a point of view at the social level in each country. – Cultural Uniqueness in each geographical and cultural context
In the context of cultural phenomenology, I mention contemporary art, which is "transformative knowledge" that is rather and more multi-level and global from a collective collection e.g. through the internet such as big data and the archival materials, and their documents. There is no authenticity and no terms in the academic sense of 'knowledge', but rather contemporary art insists on 'transformative knowledge' through everyday life today.
As an idea for conceptual art without concept,
which aesthetic idea in art is an experience that exists in individual person's, not from the ideal form in formalism. That is fluid and dynamic.
I seem to get my best political ideas when looking for aesthetic solutions.—Lorraine O’Grady
The form of my work has proven to me to be more important than the content. If you had told me when I started forty years ago that I would be saying that, I would probably have laughed. But the diptych has always been, in a sense, my primary form, even in the performances. For me, the diptych can only be both/and. When you put two things that are related and yet totally dissimilar in a position of equality on the wall, for example, they set up a conversation that is never-ending.—Lorraine O’Grady
https://www.artnews.com/art-in-america/features/lorraine-ogrady-race-power-art-world-1234585194/
On Subjectivity and its seeing-in in the photography:
Photography as a contemporary philosophy, by analogue, and digital and analog prints, through the procedure(s) of the optical and chemical phenomenology of time and space, which transform thing(s) and their event(s) into two-dimensional surface. By digital, through the procedure of the optical and data phenomenology of time and space topologically, which transforms the thing(s) and their event(s) into two-dimensional surface. Thereby, there is an affection of humans towards photographical events, thus, I question emotion and perception. An affection can be a feeling of 'hate', is an aesthetic taste or mentarity through the habit.
-> After Danto's, I will back to the account of Adorno, music in Anthropology -> Linguistics -> Notion of Avant-Garde in the contemporary society
-> Environment and Queer's (space and time), on ethics in the arts from the aspect of the 21st century
The Issue of FLUXUS today between commecialisation and free will of art in global economic Idealism (Artistic Professionality between Commercial Art and Non-Profit): That is through the cultural institutions and their commercialization, was made together with the global free economic components, such as together with international cultur competition, global art fair and art auction, etc. – Sponsorship or Institutional funding, or Commercialization, or?
This situtation is similar in the academy at the international level, because of the global coorparations and the networks.
African homosexuality laws
In most of countries in Africa,
Same-sex Sexual Activity Illegal
Same-sex Sexual Activity Legal
Major French philosophers associated with post-structuralism, post-modernism, and/or deconstruction, including Jean-François Lyotard, Michel Foucault, and Jacques Derrida, engaged deeply with both Marxism and psychoanalysis. Most notably, Gilles Deleuze and Félix Guattari collaborated on the theoretical work Capitalism and Schizophrenia in two volumes: Anti-Oedipus (1972) and A Thousand Plateaus (1980).
In the 21st century, this philosophical knowledge is already part of our human (industrial) habit globally. Originally, philosophers views were from the critical theories, but finally, from the economical reason, today it works in the context of Idealism commercially.
Black is a brilliant colour and is materialised vividly on two-dimensional surface.
In the photography, it is through the phenomenon of light and the procedure of development.
Black absorbs light.
The black absorbs the energy of various lights (as well as UV light), thereby the temperature is the highest. The higher the temperature by absorbing various energies, it looks darker phenomenologically. -> Mind, Perception, and so on.
Zanele Muholi's work as a visual activist for us is generalised already through American contemporary photography. However, the stimulation through her visual design and its narrative is towards British High Art and its formalism. I think that she will overcome British and European colonialism by her life and work of art. For the political effect in South Africa as well as the Global South, I don't know yet, because I don't know current the South African Politics and its international Relations well, but it makes the sense dynamically and vividly, about that is I am sure.
Same-sex marriage in South Africa has been legal since the Civil Union Act, 2006 came into force on 30 November 2006. The decision of the Constitutional Court in the case of Minister of Home Affairs v Fourie on 1 December 2005 extended the common-law definition of marriage to include same-sex spouses—as the Constitution of South Africa guarantees equal protection before the law to all citizens regardless of sexual orientation—and gave Parliament one year to rectify the inequality in the marriage statutes. On 14 November 2006, the National Assembly passed a law allowing same-sex couples to legally solemnise their union 229 to 41, which was subsequently approved by the National Council of Provinces on 28 November in a 36 to 11 vote, and the law came into effect two days later. South Africa was the fifth country in the world and the first in Africa to legalise same-sex marriage.[1]
We humans stand at a turning point for exploring and organising of something new system for the future.
From the aspect of Queer studies, I am Non-binary and pronouns they/them, form/manner of address is not so important in my original culture of Japanese, because there is not form/manner of address of formalism, there is just for the form of politeness, e.g. as "-san (さん)". - Social manner and colonialism as well as racism by Western formalism
Today, we call it 'social role', it is up to the social organisation in each country. Even in the EU, each contry has different organisation of 'sex' as social role. e.g. in the case of Sweden.
For me, 'gender' is not so important, as well as 'race' and 'nationality', the important is a person's sensibility, how it is and what it is. In other words, at the communication level, I have no problem with everyone, I can talk, but at the touching level, maybe I am very closed personally. The distance of corona infections measurements is fit for me, because I don't like to be touched by unknown person. In that sense, I am childish. So, I don't want to be sexy and I reject my sexual attractivity in the context of commercial industry.
I think that the distance of corona infections measurements is effective in preventing sexual abuse and sexual violence.
But, what 'hurts' for me does not mean "painful" for you. It might be a pleasure (pleasant feeling of acturality) for or by a person. So, I mean that 'sense' is individual and we cannot share 'sense'. Therefore, what is important in the communication between different individuals, is for 'respecting' each other of differences naturally, and for differences, not for forcing each other.
From the genetic aspect, whether I can define my gender by myself, that I am not sure currently, especially after the corona pandemic in 2020, and its systematic digitalisation of the governance. I am 100% sure, my gene is so-called 'female', medically "my sex chromosome consists of the X and the Y.". Probably, sex chromosome of the X and the Y has widdly resolutions and /or as a natural phenomenon that is 'regenerated' in my body, together with other factors in the environment, which is my truth.
Currently, I explore it profoundly and commonly.
-> Questioning for What are “being”, “knowledge”, “life”, “intelligence” in the context of the 21st century?
-> My point of view is critical from the aspect of mathematics, which gaps we cannot describe literarily.
One is the limitation of computer science and mathematical issues.
Another one is our humans' knowledge and its limitations.
I think that we should not forget, at least, it's humans who read and disprove information, no matter how smart, fast, fair and systematic it is.
– Critic towards 'IT/OT-Infrastruktur'
https://whatis.techtarget.com/de/definition/Operative-Technologie-OT
What we need to explore, that is for 'human rights' in the 21st century.
Ethics is for that, and that is humans' intelligence and knowledge.
The problem (of Idealism in art) with 'Fountain' (1917) by Duchamp in contemporary art (towards the context of idealism historically) is that as an 'attention', that has the effect of eliminating the sense of reality, and the emphasis is on psychological effects ('affection' of artwork). And the "modelling" that is the basis of actual art is no longer valid. And it is replacing the position of art (in Humanities and Arts) with the critical theory of modern society. Politically, it was and is "banality", and culturally it was and is "triviality", which was and is towards German cultural history directly, as well as other hegemonic cultures clearly. -> Immersive noise or Immersion into noise?
The limitation of 'entity' by humans is the nature, that is the limitation of human knowledge towards nature.
From this point of view, Bertrand Russell was right, what he argued towards German idealism in philosophy.
Including classical painting and sculpture, a kind of documentation, that is so-called 'arti-facte'.
SSI 2022 conference Keynoe talk: Jason Gaiger, University of Oxford
The One and the Many: Huyghe’s Untilled
„Untilled“ by Pierre Huyghe consists of his words, whether a collecting of the materials or a collecting of the words as an artwork in the environment? or Neither. Because we can touch his materials in a environment.
I believe that it works on the virtual space also.
-> It was a great interesting and inspiring talk. Just as an annotation (Anmerkung); This presentation was using the two-dimensional images of 'site-specific' installation, thereby it lacks the dimension of sound, such as noise by bees. So, that is clear, the leitmotifs of the artist in this artwork is 'environment', which would be appeared phenomenologically. Aesthetically, it might be 'scare' or ironical expression in a literary sense or something a new sound in a sense of this artwork, not for general sense. Thus it is clear not 'unity', but rather 'entity' in this context.
Whether this artwork is good or bad, it has a value of watching, in the terms of aesthetics, this artwork can appreciate, means 'we can discuss , as well as reflect on this artwork.'.
In Germany, there are many types of art, "What do you do after this?" The idea is political, but after an art project, its "garbage disposal" problem. For that reason, I chosed "Ruins*" for the space in my project (but, a mmanaged way of art festival and in private space), was a concept of my project, which located project in a cartographic context, was on 'emptyness' - MA (間) in between the properties, was in-between space in the society mathematically. MA (間) is similar to 'Niche'. Between 0 and 1, and 1 and 2 are infinity mathematically.
It was an immagination of between 'passt and future' in Germany for us artists.
*Ruin in this context is the city 'Hiroshima' and 'West-Berlin', as well as 'Nagasaki', which city was after the Second World War, would become the city of anti-Racism, anti-Fascism, anti-Nazism as well anti-Imperialism, anti-War, anti-Nuclear Weapon, and so on, was based on the regional rule (localisation) as well as international rules, which was a new notion in the sentence (the post-war new constitution). That was an imagination for us artists, academicians, and scientists all over the world. Thereby 'Anti-' did not mean 'demonstration', we did not demonstrate on the street, but rather 'creation', it was enough 'Anti'- towards German Feudalism and Japanese Feudalism (Mono-centralized authority as Human nature), which creation was not only the act by the arts.
These towns were special towns. If one did not have 'will' (Notwendigkeit und Vernunft (reason)) independently, did not go those cities. Therefore, in the 21st century, in those cities, after the Second World War, the experienced and researched people became the important positions in the world now in the 21st century, left their notions. I am very happy for that.
For example, in medicine, it is a cancer research, as well as biology, philosophy, ethics and aesthetics, in every academic and scientific fields, was the starting point of the new notion in the international sentence. That was 'will' of Humans all over the world.
-> Thereby the question for 'ethics', was the same question in the context of Joseph Boyce, in the which ways?
All substances have energy. By the words of Einstein "“Everything is energy and that's all there is to it.". From the point of view of Quantum mechanics, the material is not alternative, but in traditional Western art, artistic material is proportional to artistic value. I think tha it's the same in music that the pitch and timbre of the piano are the material of the composer's artistry. But there is no "absoluteness" in it.
This draft is my doctoral project, currently, I am re-writing and re-designing (improving) my doctoral proposal. I have a self-critic for this draft. Probably, it will be by a new logic, not before shifting, after shifting one. It means that I don't shift at the doctoral study before I will shift. Therefore, I am shifting in 'transmediate' practically.
We are seeing the artwork at the museum today, which artwork of contemporary art is not maturity yet, it's so-called opportunity of humans creativity.
The progressive artwork is the same time our progressive human history collectivity. I menstion that is 'transformative culture'.
The next stage of his installation „Untilled“ is probably to 'loose', but how it will be loosed in a sapce?
If the artist could provide it through his artwork, it might be "imagination" (a positive way of the Western's) in the contemporary art.
I think that the logic of Western language if the language sense (the essence of life) loses 'imagination', it would be a danger of 'rationalised' in sense. 'imagination' is a positive way of the essence in the Western language, what Japanese does not have because Japanese is an associational language, not interpretative.
Soziale Skulptur (Social sculpture) is a new notion in Germany, post-war, in the context of German social democratic idea and its ethics in the art (influenced of Anthroposophie is which against Anthropocene ontologically), which was accounted by Boyce, is not identical with Duchamp's conceptual art.
In Germany, that is the complex history between Catholic and Evangelical culture in terms of German Idealism.
Anthroposophie was identified in nature. Thereby my critical position towards Anthroposophie is clarifying to 'nature' from the aspect of the 21st century. 'Nature' is, through whether we humans are seeing, perceiving and feeling? So, What is 'Nature'? and What is 'Humans sense'? Today, Anthroposophie is the German tradition. Thus, we need to study 'environment'.
What is 'environment'?, that is a question for the limitation of Boyce's account of Soziale Skulptur.
Wollheim had researched in the context of Wittgenstein also. From the aspect of my research, Wohllheim explored rather Wittgenstein's logic in aesthetics and ethics from the research field of astehtics and its astetic value.
For example, a global cultural phenomenon is that a young Korean woman worked in a Chinese-owned Korean restaurant during a working holiday while she was in Germany. Her chef in the kitchen was an African-German. About this person, not from my mother, so she told me, "I learned how to 'cook rice the Korean way' in Germany." – Cultural manualization and its economy
What is "culture" for us today? However, she had given up patriotism.
Question for 'Freedom' in the context of openness and manualisation as equality from the aspect of the global liberal economy.
Political question in the context of art representation, as well as artistic content is on 'democracy' and in particular, 'human-rights in the context of civil right, in euch location. And it is also affection between different locations by globality and liberal economy in the world.
Is 'installation' an art medium?
Yes.
Without medium, we cannot provide the notion of humans, especially in the field of creativity. Thereby, installation is one of the important art medium, probalby more than sclupture.
The artistic research will ongoing with materiality and immateriality which adresses 'space and time' and its communication in the environment(s), as well as it will explore critically.