Aftermath (E for Installation) by Zoe Panagiota (aka Betty) Nigianni

Design for interactive art installation with urban regeneration proposal, as well as video about environmentalism and our technologically mediated private and public lives; installation catalogue design with photography and textual collage, 2021-2023. "There is a massive abundance of goods that end up in landfills. With such abundance of goods, no one should be deprived." Visitors will have to leave an unwanted item of theirs and take another to collect the installation catalogue. The installation will be monitored for this purpose. Designed with Wi-Fi light technology for agility training, the interactive floor in the entrance will be controlled by the visitors through a tablet computer that will allow them to select the difficulty level. The exposition offers a critical viewpoint to the contemporary gallery-mediated commercial environment by making reference to the non-monetary economies of artistic and cultural production. Art "is an instrument of war for attack and defense against the enemy". The enemy is whoever exploits their fellows out of egoism or personal interest (Pablo Picasso). With summary and questions about David Murakami Wood's article "The Global Turn to Authoritarianism", 'Surveillance and Society', (15), 3/4, 2017: 357-370.

E for Installation

55 move rule : possible max moves 5898.5

Commerce doesn't need a city.

The first marketplace was the beach. The Phoenicians pass by in boats (same thing for caravans), they leave an object on the beach, and later they come back to see if anyone has taken it, if anyone has put something else in its place. That's what commerce is: "The caravan passes." This still exists: someone puts a jug of milk on the side of the road and takes off; later he comes back to pick up the money. If there is no money, the jug of milk isn't brought back.

The city is the result of war, at least of preparation for war.

Paul Virilio, Pure War, 1983

Appendix

Desire-As-Belief (DAB): The anti-Humean thesis that an agent desires something when the agent believes it would be good.

Desire-As-Conditional-Belief (DACB): The anti-Humean thesis where contingent desires are not aligned with beliefs.

Approximation to the canonical: The Humean thesis that something of the appropriate category is a value if and only if we would be disposed to value it under ideal conditions.

Common Knowledge: Mutual knowledge, but also each individual knows that all other individuals know it, each individual knows that all other individuals know that all the other individuals know that all the individuals know it, and so on and so on.

Catalogue

design

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