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CREDITS AND REFERENCES

1. Photo credit: Leslie Deere

1. Mieke Bal (2013) Endless Andness: The Politics of Abstraction According to Ann Veronica Janssens. London: Bloomsbury; New Edition

2. Erika Fischer-Lichte (2008) The Transformative Power of Performance: A New Aesthetics. London & New York:  Routledge

3.  E L Putnam (2020) Entangled Gestures and Technical Objects. Performance Research, vol. 25, issue 5, pp.49-55, DOI: 10.1080/13528165.2020.1868842

4. Wolfgang Tillmans and Mark Fisher (2016) RAVE: Rave and its Influence on Art and Culture. Nav Haq (ed.). London: Black Dog Press 

5.  Maria Kapsali (2020) Sonic Bodies. Performance Research, vol.25, issue 4, pp.45-53, DOI: 10.1080/13528165.2020.1842029

LESLIE DEERE, Scotland

lecturer I researcher I media & sound artist I media technologist (VR/AR/XR)
www.lesliedeere.com

is a multi-media artist with a background in dance and she holds a BA Honours degree in Sonic Art. Currently, Deere is a PhD researcher at the Glasgow School of Art looking at affect, perspective and altered states. This practice-based research is exploring gesture-controlled audio-visuals in VR, creating a group altered state experience. She recently debuted the new work at Glasgow's Centre for Contemporary Art.

She is interested in collaboration with other makers, thinkers, artists, researchers and designers working with similar technologies, concepts, thematics and approaches - and also those that cross-reference these ideas and are developing new discussions and formats.