University of Applied Arts Vienna
About this portal
The University of Applied Arts Vienna (Angewandte) enables its researchers to present their projects and findings on the Angewandte’s RC portal. In general, the Angewandte is developing innovative solutions for digitally supporting its staff, students, and alumni to publish, archive, and internationally connect their artistic and scientific research (e.g. repository). In this sense the RC is an important tool and an example of best practice.
contact person(s):
Alexander Damianisch ,
Marianna Mondelos ,
Wera Hippesroither url:
https://www.researchcatalogue.net/view/1851127/1851128
Recent Issues
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6. Art Research Envelope
The publication Envelope offers insights into ongoing PhD projects by candidates in the PhD programme PhD in Art at the University of Applied Arts Vienna in an innovative format. The major thrust of “Envelope” presents content supplied by doctoral researchers based on their individual artistic research and provides insights into ongoing work processes. These visual and textual traces reveal the state of the Art within its ongoing research processes. This open format seeks to reflect on experiences through exchange, as well as document relevant developments in the field of art and research. Further information: www.zentrumfokusforschung.uni-ak.ac.at.
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5. Art Research Envelope
The publication Envelope offers insights into ongoing PhD projects by candidates in the PhD programme PhD in Art at the University of Applied Arts Vienna in an innovative format. The major thrust of “Envelope” presents content supplied by doctoral researchers based on their individual artistic research and provides insights into ongoing work processes. These visual and textual traces reveal the state of the Art within its ongoing research processes. This open format seeks to reflect on experiences through exchange, as well as document relevant developments in the field of art and research. Further information: www.zentrumfokusforschung.uni-ak.ac.at.
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02. reposition Journal of reflective Positions in Art and Research
reposition Journal of reflective Positions in Art and Research
Support Project for Research Documentation at the University of Applied Arts Vienna
With contributions by Thomas Ballhausen (author and philosopher) and Elena Peytchinska (Institute of Fine Arts & Media Art – Stage and Film Design);
Pamela Breda (Digital Arts); Leo Hosp (Center Research Focus); Gabriela Krist (Institute of Conservation) and Marie-Christine Pachler (Institute of Conservation);
Mong-Sum Joseph Leung (Center Research Focus, PhD candidate PhD in Art); Bianca Ludewig (researcher and journalist), Magdalena Scheicher (researcher) and Conny Zenk (Center Research Focus, PhD candidate PhD in Art); Sophie Luger (Institute of Architecture) and Lenia Mascha (Institute of Architecture);
Imani Rameses (Center Research Focus, PhD candidate PhD in Art), Charlotta Ruth (Angewandte Performance Lab) and Jasmin Schaitl
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01. reposition Journal of reflective Positions in Art and Research
reposition Journal of reflective Positions in Art and Research
A publication of the Center Research Focus at the University of Applied Arts Vienna
Editorial Team: Gerald Bast, Alexander Damianisch, Barbara Putz-Plecko
With contributions by Pamela Bartar, Barbara Graf, Tanja Kimmel, Barb Macek, Valerie Messini, Verena Miedl-Faißt, Daniel Aschwanden†, Vera Sebert and Lucie Strecker.
Recent Activities
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artist philosophers [AR 275-G21]
(last edited: 2020)
author(s): Arno Boehler
connected to: University of Applied Arts Vienna
This exposition is in progress and its share status is: visible to all.
From the very beginning of European philosophy the relation between philosophy and arts has been highly problematic. In accordance with this historical demand, the project aimed to develop a research performance in which philosophy is methodologically and conceptually demonstrated as a matter of arts-based research rather then a “pure” science.
By organizing a research-festival “PHILOSOPHY ON STAGE #4”, artists, philosophers and scientists collaborated to demonstrate on stage their theoria on the artist-philosopher.
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CHOREO–GRAPHIC FIGURES. Deviations from the Line
(last edited: 2020)
author(s): Nikolaus Gansterer, Emma Cocker, Mariella Greil
connected to: University of Applied Arts Vienna
This exposition is in progress and its share status is: visible to all.
"CHOREO–GRAPHIC FIGURES. Deviations from the Line"
The interdisciplinary research project “CHOREO–GRAPHIC FIGURES. Deviations from the Line” (2014 - 2017), led by artist Nikolaus Gansterer (Austria/Vienna) in collaboration with choreographer-dancer Mariella Greil (Austria/Vienna) and artist-writer Emma Cocker (UK/Nottingham), in dialogue with a team of international critical interlocutors was approved funded by the FWF/ PEEK research grant of Austria.
With ‘arts-based research’ at its heart, this research project stages an inter-subjective encounter between drawing (Gansterer), choreography (Greil) and writing (Cocker) in order to
a) investigate those forms of ‘thinking-feeling-knowing’ produced through collaborative, interdisciplinary exchange, ‘between the lines’ of drawing, dance and writing,
b) explore the performativity of notation (figures of thought, speech and movement) for articulating and making tangible this enquiry,
c) contribute new knowledge and understanding to debates about the specificity of artistic enquiry and expanded practices of drawing, dance and writing.
The project explores the nature of ‘thinking-in-action’ or ‘figures of thought’ produced as the practices of drawing, choreography and writing enter into dialogue, overlap and collide. Through processes of reciprocal exchange, dialogue and negotiation between the key researchers, "CHOREO–GRAPHIC FIGURES. Deviations from the Line" will interrogate the interstitial processes, practices and knowledge(s) produced in the ‘deviation’ for example, from page to performance, from word to mark, from line to action, from modes of flat image making towards transformational embodied encounters.
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Trans*Writing Immanence and Transformation Towards a Political, Ethical and Aesthetical Theory of Writing as Artistic Research
(last edited: 2017)
author(s): Elisabeth Schäfer
connected to: University of Applied Arts Vienna
This exposition is in progress and its share status is: visible to all.
How can writing as an entangling practice of “artistic research” contribute to an understanding of these processes?
Can the figure of “Trans” as prefix (see method and title of the project: “Trans*Writing”), which is addressing the movement of crossing, be promoted as new thinking pattern for a writing that has the immanent tendency to exceed meanings, bodies, subjects, settings, knowledge, lives, spaces etc.?