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Synthesized art images in new media are in contrast to "Migrated Art Images" demonstrating image to data. The new context of dynamic panels suggests how new media context interprets the process of perception. The work suggests relationships with sets of data and sampled visual units constructing dynamic time adjusted field-forms. Repetition, modular representation, synchronicity, and real time physical drag, effect a dialectic of experience. Complexity in itself shapes the context of this new form. The New Media Matrix is the canvas crossing borders of traditional language and image presenting a frontier of discovery. 12 sets demonstrate the evolution of regiments interrupted. As a reference to the multiplicity of experimentation the book Art Migration To New Media is included. .
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