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Communication and interplay in an electronically based ensemble. The basic aim of this project is to focus on challenges related to improvised performance of electroacoustic music. The artistic core of the project is to develop musical interaction in a larger ensemble, where the membership is mainly based on electronic and digital instruments. New modes of interaction are enabled by using audio processing as a musical instrument, where the sound from an acoustic musician is being processed live by another ("processor") musician.

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  • contents
    • T-EMP
    • Introduction
    • Method
    • Artistic Result
    • Enabling Technology
    • T-EMP and I
    • Monitoring Strategy
    • Control Intimacy
    • Processing
    • Audience
    • Conclusion
    • Øyvind Brandtsegg, Andreas Bergsland, Carl Haakon Waadeland, Sigurd Saue, Trond Engum, Bernt Isak Wærstad, Tone Åse
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  • abstract
    Communication and interplay in an electronically based ensemble. The basic aim of this project is to focus on challenges related to improvised performance of electroacoustic music. The artistic core of the project is to develop musical interaction in a larger ensemble, where the membership is mainly based on electronic and digital instruments. New modes of interaction are enabled by using audio processing as a musical instrument, where the sound from an acoustic musician is being processed live by another ("processor") musician.
  • Øyvind Brandtsegg, Andreas Bergsland, Carl Haakon Waadeland, Sigurd Saue, Trond Engum, Bernt Isak Wærstad, Tone Åse - T-EMP Communication and interplay in an electronically based ensemble - 2022
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Shared listening strate

Control intimacy

Live processing

Audience

Conclusion and further work

Introduction

    ooo

Introduction

T-EMP and I

Artistic output

Enabling technolo

Method

NTNU Music Technology