Index of Figures
Figure 1 Key ‘Digital’ Exhibitions 1959 – 2010
Figure 2: Non Exhaustive List of Printmaking Related Social / Affinity Spaces
Figure 3: Innovation adoption curve for Digital Printmaking – Thompson (2010) after Rogers (1962)
Figure 4: Distribution of Submitting Artists (Thompson 2011)
Figure 5‘ Completion Rates For ‘Follow Up Survey’ (Thompson 2011)
Figure 6: Artistic context of submitted works through discourse analysis (Thompson 2011)
Figure 7: ‘Frenzy’, Janssen T. (2011), USA
Figure 8: ‘Projected View’, Clark A, (2011), UK
Figure 9: ‘Democracy Corrupted’, McMaster R. (2011), Australia
Figure 10: ‘Permutation’, Cornell D. (2011), USA
Figure 11: Analysis of the ‘artistic form’ of submitted works
Figure 12: ‘OrnamenNov1’, Nicol C. (2011), USA
Figure 13: ‘Little Lover’, Low K. (2011), UK
Figure 14: ‘I have a Headache’, Wicka L. (2011), USA
Figure 15: ‘Bridge of glass, sea of fire’, Bang A.E. (2011), Norway
Figure 16: Comparison between selected methods of instantiation (editioning).
Figure 17: Comparison of usage between Bitmap and Vector based processes
Figure 18: Software used in digital mediation
Figure 19: Contributing artists self assessment of innovation adoption - (Thompson, P, 2011) after Rogers (1962)
Figure 20: ‘Greenman - Spring’, Gallagher K. & Stark G, (2011), UK